Wednesday, January 31, 2007

Volume 15 - Pac Man's iPod (condensed)

Song #1 - Cheers Theme

Raise up your glass of your finest beer, sit back, and enjoy a collection that takes you back to those okward years known as the 80's. This is an album where everyone knows your name and where all our troubles are the same. The 80's is a time when we all thought about nuclear war, girls, science fiction, high school, and MTV.

Cheers to you and remember that the proper thing to do when playing Pac-Man is to put down only two quarters at a time just above the joystick. So if your hungry, pack your Pac-Man lunch box and listen to this album. Afterwards, you will be ready to spike your hair with aquanet and bust out your old tapes. Becareful not to hold your boom box too close to your head or you will damage your 30 something ears.

P.S. One of my favorite things to do while listening to Pac-Man's i-Pod is to find an old piece of cardboard and break out some dance moves with it. I also enjoy reading the Pac-Man companions guide as to learn the moves to succed at the game (kidding Dan).


Song #2 - You Make Loving Fun - Fleetwood Mac


From Fleetwood Mac's Greatest Hits comes You Make Loving Fun. This song was not born in the 80's, but man it was heard by these ears many times throughout the 80's, thus has a home as the lead-off man here on Pac-Man's i-Pod.

Greatest Hits is a great overview of Fleetwood Mac's hit making years. Fleetwood Mac continues to utilize the harmonic blends within the group especially Lindsey Buckingham's voice. Lindsey buckingham has made an appearence once before in CMC. Dan actually introduced us to the musical talents of Lindsey on DanPR. In You Make Loving Fun, Lindsey was not involved with producing the song. However he is active all over Greatest Hits. With an outstanding rhtyhm section combined with great vocals, You Make Loving Fun is one of the 70's finest pieces of pop.

"You make me happy with the things you do" is a very cool line and transends great lyrics. It finds it's way into deeper conciousness of love and defines an awesome way of communicating to your lover. If you hear those words you will be very happy and silly with love.

There is some very good drum and guitar work in this song that nicely binds the song to the lyrics. Beautifully played song Fleetwood! There is a great guitar piece at about the 1:25 mark that you can die for. "Oooohhh you make loving fun" says it best.

Song #3 - Bette Davis Eyes - Kim Carnes

This is the only song on my Pac-Man collection that I didn't already have on an album. I had to get it off of i-Tunes. Kim Carnes has a great voice and I like to hear her sing, but she is not allowed to stand near me if she are puffing on a cancer stick. How do women get voices like that? Smoking? Genetics? It is unusual and I dig it greatly.

Bette Davis Eyes spent 9 weeks at the top of the Billboards in 1981. It won Grammys for Song of the Year and Record of the Year. After that brief success, she could not follow it up with anything worth while and returned to her country-folk roots. She moved to Nashville in 1994 and is concentrating on songwriting.

In this song you will hear a gentle and flowing tempo that is caressed with the sultry voice of Kim Carnes. I find the lyrics to be clever and telling. Imagine those eyes watching you or giving you a nasty look from across the room. It would tear through your head man like a powerful laser and destroy all that you are. "Her hair is hollow gold" sets the stage for what kind of girl Kim is singing about. "She will roll you like dice" tells me that she is going to hypnotize you and then take advantage of you. To recap, I most of all love the voice singing those clever lyrics. When I was a kid, I thought that it was Cathryn Hepburn singing. As we all know it was not, but that's what I thought many moons ago. Bette Davis had eyes that were like that of the snake from Disney's Jungle Book movie. Stay away from women like that.


Song #4 - 99 Luft Balloons - Nena

To start, I know Dan hates this song and to him I apologize for nothing. I must include it because this is my collection not his, and because it is one that I dig a ton from the 80's.

After only a year as vocalist for the band Stripes, Nena Kerner created a new band in Berlin called Nena. The band's debut single Nur Getraumt became a number one in German speaking countries. Their second single, 99 Luft Balloons was huge success in the US. What was unique about 99 Luft Balloons is that the German version was more popular than the English version in the US.

I have to admit that their is something incredible about hearing her sing in German. It is exotic and something that I don't get to hear very often. Maybe it is one reason why I like it so much. I very much like the synth. action because it makes this song work. I could hear just the instruments and I immediately know that it is 99 Luft Balloons. Another aspect to this song that I always loved was the mention of Captain Kirk. Who could hate a song that mentions the greatest Starfleet Captain ever? Dan, that's who. Sorry Dan for busting your chops on this one.

The song is about cold war anxiety and it tapped into the fears of a nuclear apocalypse. At the time of this song Germany was split into East and West. 99 Luft Ballons also tells a tale about how balloons that are being mistaken for incoming missles. a very deep and scary song to me. As one who worries about everything, I was always carrying around a lot of anxiety about nuclear war in the 80's. Do you remember practicing drills for bombs? I still remember thinking, "What the hell is a desk going to do for me when the insane heat and blast comes from the explosion?" Did you guys ever see the old films in class about nuclear bomb safety precautions? One amazing thing that songs do is that they are able to take you back into time if you so desire. I LOVE it!


Song #5 - Walk of Life - Dire Straits


From my days of watching MTV as a kid, to working at Philmont, to riding in the back of Mixdorf's truck Dire Staits has been there and had a small impact on me. I distinctly remember the videos and the powerful songs that was transmitted with them. Even though Money for Nothing was mocking MTV it played all of the time. However, the song that stands out more for me is Walk of Life. I really like this song and I marvel at how catchy the song remains. I hum or sing it and I am doing it all day. The up-tempo drives me forward and helps me walk the good life.

Ooooohhh, the sweet synth / keyboard is like a giant banjo minnow dancing infront of me daring me to grab it. Like a fat bass, I lunge for it. I LOVE it! More than he lyrics the music is what really makes this song for me. Walk of Life is sometimes more like a crazy spirit than a walk, but we all have to take it in stride and enjoy the path we are on.

While working at Philmont, I listened to a Dire Straits album that I borrowed from a coworker and it was great. I don't remember the album, but there was one song on there that was superior and it stuck with me since the summer of 93'. That song I believe was called Trail of Tears. It is a great song about the Cherokee people and their horrific journey they took across the south at gun point. It is on my next i-Tunes order.

I want to say the Mixdorf is a fan of Dire Straits or he use to be. Once, while driving up to Minneapolis one wintery break we listened to them. I was riding in the back of his brown Chevy S-10 while listening to Brother in Arms. This is one of the albums from which this song resides. I should mention that Mixdorf's Chevy became mine in the summer of 95'. Steve is probably the only one to be without that usless trivia, but not anymore. I remember enjoying that album and the songs that are on it. Some of the songs from that album include: Money for Nothing, So Far Away, Ride Across the River, and Why Worry. A great album that stands in a distinctive light within their own catalog. In England, Brother in Arms was the biggest selling album in the 80's. Listen to it, love it, and enjoy it!


Song #6 - Magic - The Cars

The Cars were the most successful American new wave band in the late 70's and early 80's. What is known as mechanical pop / rock, the Cars music captured the top 40 many times and many of their albums became platinum.

The first time I heard this song was when I was in Eau Claire, Wisconsin visiting my cousins. Todd and Shawn were a few years older than I was and they always did cool things. I think that I was about 13 and very impressioable. They listened to a lot of Scorpion, which I didn't like, and the Cars. The line "twisted on the sideways down" has been in my head since that vist, and the Cars have too. The band has a great and unique sound. The lead-in is one aspect to this song that I find powerful and intriging. As a newbee fan of the electric guitar, I have discovered new aspects to this song that I never really appreciated before. There are some great representations of awesome guitar work throughout this song.

I also remember hearing this song while at Camp (WSR). I have to guess that it was Gibbons and the Eology Staff that brought forth these tunes and played them generously for those visiting the area to enjoy. Thanks Gibbs for great memories and music at camp.

In my collection, this song comes from The Cars Greatest Hits album. Even though the song sold over an infinity of copies on 1984's Heartbeat City, many old-school Cars fans thought that it was too much of a bubble gum pop tune. bubble gum I think not! It is more like those warm and wondrful mini donuts from the state fair for your hungry ears. I flippin' love this song and it had to be included on this album. The word magic is mentioned someplace else on this album so listen carefully. did you find it?

On the cover of mt greatest hits album there are little toy cars. I once had one of those little toy cars, the blue one, and it came with a camper that it pulled. Clearly a 50's toy, it was made of metal and so was the camper. How time has passed. The days were you pulled a camper with your car are over. Who does that anymore? You are mocked if you are not pulling your camper, trailer, boat, yard debris, or horses without an oversized monster truck made by Ford or Chevy. Sorry Gibbs. Just a bit of fun info for me to share.


Song #7 - Small Town - John Mellencamp

The album from which this song was birthed is called Scarecrow. The producers to this album are Little Bastard and Don Gehman. Small Town was written on April 17th, 1985 at 12:00 Noon. This is just one day after Gibbons 14th birthday. Did John Melloncamp attend Pat's birthday party or did he just hold off a day to show reverence to our little Indiana buddy?

John Melloncamp is another heartland rocker that could fit nicely with your Bob Segar collection. Two Americana rockers that love to sing about the little guy and the hard life. John has never been known as master lyrics writer, but in the songs Rain on the Scarecrow and Small Town capture the meat and potato intrests of the poeple in America's Heartland. One could easily stand John Melloncamp, Bob Segar, and Bruce Sprinsteen up on a stage and you would have created an instant aid concert for the average out of work blue-collar and red-blodded American.

What I like most about this song is that it talks about his love for the small town. I have a lot of great memories of small towns. I lived in chatfield, Minnesota for a year and it was a great place to live. The tight knit community was something that I greatly admire. I looked forward to getting my haircut by the same guy each month. We developed a small relationship where we would ask each other how projects were going, how family members were, and what plans we might have in the coming week. It was nice to share more than just the superficial bolonga that you pertake in at Cost Cutters. Playing basketball at the only elementary building in town with town officials and local leaders at 5:30 in the morning every Tuesday and Friday were highlights to living in a small town. After work, I would occassonaly decide to go downstairs and around the corner of the block to get myself a pizza and a movie from Hummdinger Pizza. The store logo was a cowboy pizza maker twirrling a pizza while riding a horse. Brilliant! A ton of great memories made in small towns. The best was meeting my wife when living in Chatfield!

The line, "No I cannot forget from where it is that I come from, I cannot forget the people who love me" sparks my root cap (the part of the root that busts through the soil and rocks to allow the tree to dig deeper into its biological purpose) and it gets me thinking about my family and how it is my purpose to be the glue. Holidays and family events are held at my house because it is neutral ground (kind of like a church in the Highlander movies). I love my family and want them to see that we are all here for just a little while, and that the trival things should be forgotten. My sisters and mon remain bitter towards one another and it's a tough rock to crack. However tough it is, I will continue to fight to be the familt glue that leaves the light on for them. It still amazes me how we all came from the same Small Town and how we remain to be close friends even though nobody lives in that Small Town anymore.


Song #8 -Every Breath You Take - The Police

If you don't like Pac-Man's i-Pod then I will stalk you down and shove it up your pie hole. Kidding. Every Breath You Take is a brilliant song because it is so simple both lyrucally and musically. Sting wrote this song and its simple nature was totally intentional. The stalker that this song is about needs to keep things simple so that he is not discovered. When you add a lot of complexity to this stalker song, things could get messy. Originally, this song was to have a synth-driven instrumental section. It didn't fit the overall feel of the song so it was cut. When things get messy, stalkers get caught. "Every move you make, I'll be watching you." This line sums up exactly how creepy this song is if you really think about it.

The opening drums and bass to this song set the stage wonderfully. Who could not recognize the opening to this song? It is very distinct and incredible. The eighth-not pulse in Sting's bass line is steady and simple. Don't really know what I just said, but Allmusic has been very helpful. Every Breath You Take was #1 for eight weeks and was the biggest hit single in 1983.

I remember listening to this song all of the time because my pop recorded it off of the radio. He played it in his tape deck a lot when we traversed the metro area looking to play Pac-Man and Donkey Kong. We went to Shakey's Pizza, Showbiz, and Sears to get our game fix satisfied. I guess we took the occasional break to play Centipede and Frogger. Once we got back into the car we heard my pop's mixed tape again and looked forward to playing foosball and pool in the basement of his west side home. By the way it still smells like Methuen's stinky ass!

Every breath you take
Every move you make
Every bond you break
Every step you take
I'll be watching you.

Every single day
Every word you say
Every game you play
Every night you stay
I'll be watching you.

Oh can't you see
You belong to me?
How my poor heart aches
with every step you take.

Every move you make
Every vow you break
Every smile you fake
Every claim you stake
I'll be watching you.

Since you've gone I've been lost without a trace.
I dream at night, I can only see your face.
I look around but it's you I can't replace.
I keep crying baby, baby please..................

Every move you make
Every vow you break
Every smile you fake
Every claim you stake
I'll be watching you.

Every move you make
Every vow you break
Every smile you fake
Every claim you stake
I'll be watching you.......


Song #9 - Against the Wind - Bob Seger

Bob Seger started off as a Michigan garage rocker with a band trio called the Decibels. Bob Seger has a distinct American sound and maybe a poster child for something that I call Americana rock. He is definately a blue collar musician who sings about the common man. Against the Wind became Seger's first number one album in 1980. This poor man has gone through a million and one bands. Is he hard to work with or does everyone he hooks up with fizzle out on him? Something to explore I guess. After the Decibels he was involved with the Town Criers, Doug Brown and the Omes, the Beach Bums, solo stuff, Silver Bullet Band, and then more solo stuff. His latest album was released in 2006 and is called Face the Promise.

A song about turning against the grain of life, and to use the metaphor swimming upstream says it all. Sometimes in life people choose the more difficult path of hard knocks. However, on that path we get some of our best life lessons and experiences. Many a songs and even a music genre or two have come from the path of hard knocks.

This song gets me thinking about how hard my life has been at times. I was thrown a lot of roadblocks in my young life and I guess the easy path would have been to accept the hand that was delt to me and to be happy with that. My internal operating system doesn't allow for me to work that way. I saw a challenge and thus found a way to win. The path to success is a narrow one, while the road to folding is wide and heavily used. What I am saying is that sometimes you need to go against the wind. This song is a constant reminder to me that I need to keep challenging myself and not to become complacid.

This gentle song with it's gradual beat gets my musical pulse in rhythm. I really like the lyrics. Bob Seger in the liner notes states that he never liked the line "Wish I didn't knoe now what I didn't know then" and it bothered him for a long time. However, everyone that he ever talked to about it loved the line. Thus, he left it in the song. The original thought was to have a piano solo. Glenn Frey of the Eagles had an idea that Drew Abbott, the guitarist, should play along with the piano solo. Bob Seger and Glenn Frey then sang the background vocals together. "Well those drifter days are past me now" really hits home. Great lines throughout. At the end of the song you will hear the line "Let the cowboys ride!" This line sets for me a strong punctuation to the end of a great song.

It seems like yesterday
But it was long ago
Janey was lovely she was the queen of my nights
There in the darkness with the radio playing low
And the secrets that we shared
The mountains that we moved
Caught like a wildfire out of control
'Til there was nothing left to burn and nothing left to prove
And I remember what she said to me
How she swore that it never would end
I remember how she held me oh so tight
Wish I didn't know now what I didn't know then

Against the wind
We were runnin' against the wind
We were young and strong, we were runnin'
Against the wind

The years rolled slowly past
And I found myself alone
Surrounded by strangers I thought were my friends
I found myself further and further from my home
And I guess I lost my way
There were oh so many roads
I was living to run and running to live
Never worryied about paying or even how much I owed
Moving eight miles a minute for months at a time
Breaking all of the rules that would bend
I began to find myself searching
Searching for shelter again and again

Against the wind
A little something against the wind
I found myself seeking shelter sgainst the wind

Well those drifter's days are past me now
I've got so much more to think about
Deadlines and commitments
What to leave in, what to leave out

Against the wind
I'm still runnin' against the wind
I'm older now but still runnin' against the wind
Well I'm older now and still runnin'
Against the wind
Against the wind
Against the wind

Still runnin'
I'm still runnin' against the wind
I'm still runnin'
I'm still runnin' against the wind
Still runnin'
Runnin' against the wind
Runnin' against the wind
See the young man run
Watch the young man run
Watch the young man runnin'
He'll be runnin' against the wind
Let the cowboys ride
Let the cowboys ride
They'll be ridin' against the wind
Against the wind ...


Song #10 - I Won't Back Down - Tom Petty

I have been on the fence for awhile with this song, and have just recently allowed myself to place it into this album. What I mean is that I can easily throw this song into three or four albums that I want to put together. Full Moon Fever is an awesome album. There are few albums out there that I buy because all of the songs are gems. Usually, especially in the old days, you have to buy the entire album even if you liked only a couple of songs. Those days are over thank God. I bought this album back in the 80's when I only had a cassette player, thus it is not played any longer. I am very tempted to look for it online in the cd format. I have a greatest hits album that has "I Won't Back Down", my favorite Tom Petty song, so I guess that's why I have not gone ahead and tracked down the album on cd.

In my opinion, the music and lyrics are very explosive on this album. "There ain't no easy way out ...But I won't back Down" is a theme that underdog lovers flock towards. I love flexing my discernment muscle in the blind eyes of corrupt authority. I won't back down either. The beat in this song marches strong and it's simple structure makes it easy to tap my foot to. At about the 1:50 mark you will hear some outstanding guitar paired with the steady drum beat picks me up to new levels of feeling it. This song broke into the top 20 in 1989, and has been my top 100 ever since.

1989 was my first year on camp staff. Was that the year all of us except Methuen worked on staff, or was it 1990? I remember hearing it and playing it at Elliott.

Well I won't back down
No I won't back down
You can stand me up at the gates of hell
But I won't back down

/ Bm A D - / / Bm A G - / 1st /

No, I'll stand my ground
Won't be turned around
And I'll keep this world from draggin' me down
Gonna stand my ground
And I won't back down

... / Bm A D GD /

{Refrain}
I won't back down
Hey baby, there ain't no easy way out
I won't back down
Hey I will stand my ground
And I won't back down

/ G D A D G - A GD / G D A - Bm A D - / Bm A D - /

Well I know what's right, I got just one life
In a world that keeps on pushin' me around
But I'll stand my ground and I won't back down

{Refrain thrice}

No, I won't back down

Song #11 - Take On Me - A-Ha

A-Ha formed in the early 80's. From this formation of musical talent came one of my favorite 80' hits. "Take On Me" hit number 2 in the UK in November of 1985. The song did one better in the US mostly because of it's creative video which was played on MTV over and over again. The video fused animation with real-life action which was a new technology / concept in the early to mid 80's. The album from which this song played from was called Hunting High and Low. This cohesive album carries the same energy and synthesizer pop fix that "Take On Me" provides.


As a kid growing up in East Waterloo we didn't have a lot. However, the one thing that we did have was MTV. I watched that damn channel all of the time. Early MTV was good programming. The song "Take On Me" became an 80's hit for me mostly because of the video. I remember being floored by the flow of animation and live-action in the video. The song it's self is an interesting story told best by Wikipedia.

The saga of the video begins as a blonde young woman (played by actress Bunty Bailey[1]) is in a coffee shop (London's Kim's Café), reading a comic book about competitive motorcycle racing.

Bunty Bailey and Morten Harkett in the "Take on Me" music video.

Bunty Bailey and Morten Harkett in the "Take on Me" music video.

After winning the race, Morten Harket (who plays the winner of the race) winks at the girl; she raises her eyebrows. He then reaches his black and white cartoon hand through the comic book pulling the girl into his animated world with his band in tow. Through a creative effect they both view each other through a comic frame which shows them (and the band members) alternately in live-action and animation.

The waitress, coming back for the bill, angrily crumples up the comic book in retaliation for what appears as a stiffing and throws it into the trash. As this happens, two of Harket's competitors in the race come back for revenge. One, wielding a monkey wrench, smashes the comic frame. Harket punches one of the henchmen, and retreats with the girl down a maze created by the crumpling. Harket tears a hole for the girl to escape through, as he faces the two. The entire coffeeshop peers over the counter at the heavily newspaper-print stained girl lying next to the waste-paper basket. The startled girl grabs the crumpled comic book and runs out of the coffeeshop to her room, where she tries to smooth out the creases.

One of the panels shows Harket lying unconscious, and she begins to cry. Harket then comes back to life - appearing in the girl's room - smashing himself against the wall as he flashes back and forth between animated and live-action. Eventually, he becomes the latter, and the girl and Harket embrace.

What I like the most about the song are the synthesizer and poppin beat that is carried throughout. The levels that he rises his voice to are incredible. His testosterone levels must be very low or he has not yet gone through puberty. Singing that high is a WOW factor for me. A-HA is from the Netherlands and which I think are apart of the European Union? Europeans have embraced the synthesiszer and have gone wild with it. I applaude them and their efforts for doing that. I believe that I would have a great time hanging out in Europe listening to what that continent has to offer. I am a solid fan of the synth, and feel that it is hard to have too much of it. Take On Me........................Take Me On!!!!!!!!!!!!!!!!!!!!!!!!!!

Talking away
I don't know what I'm to say
I'll say it anyway
today's another day to find you
Shying away
I'll be coming for you love O.K.


Take on me
Take me on
I'll be gone
in a day or two


So needless to say I'm odds and ends
But that's me, stumbling away
Slowly learning that life is O.K.
Say after me
It's no better to be safe than sorry.


Take on me
Take me on
I'll be gone
in a day or two.


The things that you say
Is it live or just to play
My worries away
You're all the things I've got to remember
You shying away
I'll be coming for you anyway


Take on me
Take me on
I'll be gone
in a day or two


ad lib to end


Song #12 - ?

CMC - bookkeeping

I propose (and have done) several minor technical things relative to how posts are dealt with.

I propose that the current month's entry get posted as if completed on the last day of whatever month it is offered so that it remains at the top of the list - it will require looking at the list of previous posts on the left to see if something new is in since they will show up just below the original post. This may get muddy as months bleed into one another.

I have condensed TClog's Volume 15 into one single post with links to the originals, both for personal preference and as a general request of Dan. Hunting down the write up for song 11 is annoying when it was archived 10 days ago. Half the posts show up in recent posts, the other half do not, for now. Soon all will be off the list. Not good.

Anyone else have recommendations?

(this post will remain at the top until there are some responses - sine it was written far into the future)

Tuesday, January 23, 2007

Have You Been Gobbled Up Yet?

By now you all should have it in your little hands. It has taken me forever to get the comments up, but they are there and done. I posted each song seperately for two reasons. One, you can read something while you wait for the rest of the comments. Secondly, as an experiment, you can choose to comment on each song seperately or you can create your own write-up that covers the entire album at once. It is your choice and you are welcomed to do what you prefer.

Saturday, January 20, 2007

Response to Dan's King George

Thank you for your comments and thoughts regarding the compilation titled “King George.” And yes, the ideal King- Arthur, Richard or otherwise, seems to be embedded into the collective psyche of the British. Probably has a great deal to do with their ability to adore and maintain a royal line. And isn’t it wild, how America has come to develop their own since of royalty – be it a discussion of the tie worn during a speech, the first lady’s blouse during a ceremony, or the recent, “amazing” media coverage of G. Ford.

I find it difficult to compare evils and find it nearly incomprehensible to compare evils committed against entire peoples. It is much easier to generalize about large numbers of people than to consider the effect of evil upon an individual. That focus zeroes into a shared existence, “why couldn’t that have been me.”

I am not sure about your insistence on repeating the Mark Anderson quote, only an indication, I guess, that I continue to evolve and grow as the years go by- which I believe is a good thing, unless you do not like me at this moment for some reason. I’ve retained much, recaptured some of the good as I reach a new year or phase in development and attempt to endlessly blend the new with the best of the old.

You may be pleased to know that I still attempt to enter “Narnia” and believe that under most conditions, a hole CAN be cut into a dashboard to allow a tape to be played. Actually, the best way to sum this up is to reiterate a very strong belief that I’ve had since Johnson Street - anybody could wake up in the morning with a long, thick, purple nose. There is no reason that I can think of that would NOT allow this to happen.

Interesting, some of this may be more “bloggy” material, but it is fitting well enough. A funny quote that I may never live down with the ladies at the bookstore (a slice if you will – like bread to share)…two customers walk in, I deal with them, and send them up to the cashiers, customer one says, “that guy was funny.” A pause and then customer two adds, “yeah, in a weird way.” It is a very interesting time, being on the college campus and taking classes – it has given me much to reflect about. I wish I had on video some of the wildest bookstore situations to share.

Speak for yourself why don’t cha.

Rocking Chair: without a doubt I knew “celebrity” would be addressed. I was a little surprised at the “fuck you” given to George based on something you read that may or may not have been true and based on circumstances that you likely do not completely have all the facts for. It is certainly your right to take action and to vocalize your opinion and your interpretation of art and celebrity.

This idea of art and celebrity is confusing and has been discussed a bit before and may even be worthy of a blog post down the road, but loving the art is one thing, loving the artist is more difficult. I’ve experienced heartbreak when my idealized version of the artist was suddenly shattered or altered. I try not to fall into those trappings these days and feel reasonably comfortable with loving the art without necessarily knowing the artist. How can we? How can we believe anything presented to us by the media? I would love to feel as though I KNOW the artist based on my relationship with the art produced and could therefore love the artist as I would the art itself. This cannot be true. I tend to take comments such as, “I like The Killers,” to mean I like the art created by “The Killers” if spoken by friends, co-workers, or even myself. Paul McCartney. An artist that Dan and I have listened to and discussed for years. From the Beatles, Wings, solo years, and through our mutual discussions and listens to his music, reading of information, facts about his life, it seems that a rather DEEP relationship may have been formed. There is no doubt a relationship exists, but it is 100% one way, or I suppose 99.9% - he MAY have seen or heard us at his concerts, but do we KNOW Paul McCartney, sadly the answer is no. I know MORE about Paul McCartney than James Cook, but I MAY NOT KNOW Paul McCartney MORE than James Cook. It’s like doing a report on Woodrow Wilson in the fourth grade. I know many facts about Paul McCartney, but would still need to cite the sources.

Ski-ing: I have a feeling that all of us may have had an easier time hanging with George, but as stated above – we really do not know – maybe it would have been John that would have been the easiest, even though it SEEMS he MAY have been the most difficult. Interesting to think about, but impossible to know.

How to Know God: Glad you liked it, especially the page number part!

Wah-Wah: I can see your Hollies connection and your very late 60s/early 70s comment made me laugh, because, well, that’s exactly the time period for the song. I am glad you see/feel the joyous romp bit.

P-Fish: I love your take on this song. If there was a song that I would of hoped that you would have liked, it would have been this one. I did not know that you like zodiac stuff!!! You’ve got to be kidding – that is so cool, unless you are pulling my leg! Yes, high five on the zodiac!!

“Any connection to the transcendentalism & so on?”

I think so, see your bit below – you describe it perfectly

“I think I do like it better, listen by listen.” Me too!

“The topic-like he's hit upon what stirs him & makes him tick and now knows how to approach the rest of his life.”

I, too , love the low soul.


Party Seacombe: I thought you would like this one more than indicated. I do not think the context of the album would improve your view of this song, however.

ATMP: I like your take on this one and calling it George’s “Imagine.” I can see that.

G on R: Yes, yes, and YES!! I think I said the very same thing in my comments to Mixdorf’s comments.

When We Was Fab: I was pleasantly surprised by your comments to this one.

The Devil: Yes – and I forgot about the Smokey song, nice connection!

On The Bed: Thanks for the comment on the little story. Back at cha with your giant eagle bit – and I just saw “The Lady in the Water” so it had a particular resonance.

I knew you would like this song and am happy that you in fact, LOVE it. I obviously love it too, a real gem. Really LOVE it! It somewhat reminds me of Peter Gabriel music that you once used in your Humane Society video, or at least some of the feelings are the same, something from “Passion” – I wanted to wait until after your comments before I mentioned this. Do you see that at all?

IIAP: Isn’t it A Pity.

“Here Comes the Moon” was strongly considered, the trilogy from Wonderwall likely bumped a few off.

It is BECAUSE of the psycholgical damage brought on by post traumatic stress disorder that all the old men are in the pubs and all the young people are on drugs. This happened AFTER the Cromwell bit, it wasn’t that the English simply conqured a green land full of drugged youth and drunken elderly.

Entitlement and expectation and a sense of superiority – Europe – ahead in time, needing to take over, inlcuding the Irish, because they were like the rest – LESS. Dangerous ideas that have permeated the US – the Slave Trade, possibly the worst manifestation of such ideas. Ideas that are reaching new levels in government officials and upcoming generations. “We are entitled to a certain life style because we deserve it” “we deserve money for not working” “we deserve entertainment and food whenever we feel like it.” I think “feeling superior” to your fellow human beings leads directly to the MOST dangerous acts on our planet. I do not think it is human nature. I think it may be European Nature, and like a wave, it may destroy the earth.

For those that survive, it’ll all be captured on YouTube, until the very last human dies from being entertained to death. God may then decide to disconnect the internet for all time so that his/her friends won’t be embarrassed.



“And if there ever is gonna be healing
There has to be remembering
And then grieving
So that there then can beforgiving
There has to be knowledge and understanding”

SO


“Can you believe the news today
Try as you may you will not be able to make it go away
How long must we sing this song”

E TU


“…falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead”

JJ



During a race there has to be hope
Even faint and remote
The heart is pumping
Pumping against possibility
Content with its top performance
Without eyes it pumps
It may not give up
And it really doesn’t matter

The brain is with an eye
Hope here is not a lie
The mind can imagine sitting down for a good think
And work it all out
Computations and more
It cannot help but to reveal a possibility
The proof is irrefutable
Send the logic down and strengthen the spine

PG

Response to Mixdorf's King George

Thank You! for your thoughts and comments. I am glad that you recognized the mix between presentations of facts and the smatterings of fiction. I will address only those items that you brought up so as not to spoil unknowns or retread that which might be known.

Allochronic. The use of this word may not be entirely correct in a grammatical sense (I really don’t know, it isn’t a common word at all), but I am so intrigued by this idea. A concept that I attempted to explain with “their sense of superiority and their need to dominate the “children” of the world”… More than just England, it is often attributed to most of Europe. An idea that suggests that many Europeans believed that they are, as a people, farther along in time than so-called third world, non-white, countries. This “concept’ helped to set up the need for colonization. Not so much a point, as an interesting backdrop to the later discussion concerning the “mess” left post-colonization. I admit it was an odd word to use early on, but I really felt that it supplied the underlying foundation for everything else that I planned to discuss regarding British and Beatle colonization. Wasps to Beatles. Cook to George, James Cook who, by the way, served a King George. Anyway, much more could be said with regard to this sense of “being ahead in time.” One last thought, the Irish were never included as part of this superior European Club and suffered greatly because of it. I wish to learn more about this and plan to do so fairly soon.

The British were discussed because of obvious reasons, but I certainly did not mean to suggest that they were the worst. I feel if a baby was dashed against a sharp rock by one country – that cannot be compared with the dashing of another baby on another sharp rock by another country. Spanish were probably more brutal, but there are so many examples of evils throughout history that to compare would be endless. Kahn. Hitler. American Slavery. Romans. Not good. I would argue that the British were still pretty awful and their abilities to bend to local cultures depended on individual situations. Some missionaries were ok, could even be considered kind, but many of them, if resistance became too great, would call upon their military to back them up – this usually resulted in the destruction of a village (or the deaths of thirteen Irishmen). Again, comparing dashed babies can be difficult. The British left much more than trains. They left altered races reeling from brand new sets of problems and cultural challenges.

Rocking Chair: well we both liked the “sideway glances” and the “shoulder and the thigh.”

Funny Droopy Dog connection, I can totally see it.

Ski-ing: Looks like I like this one a bit more than you, but I just love you discussing George and the Beatles – it kinda turns me on.

How to Know God: just a bit of Georginess

Wah-Wah: sounds like this one went on a bit too long for you. So you didn’t agree at all with my interpretation of the lyrics, or at least the bit I highlighted?

Pisces Fish: I found the lyrics in the beginning set up a nice little scene, just walking along. Reminded me of Minnesota football fields.

Party Seacombe: again – just wet from hearing you discuss the Beatles and George.

All Things Must…: no, not truly sad, but there is that weight, which I believe is a form of sadness – like growing up and leaving concrete things behind – what I mean – the time when you could not drive a car – well you can’t very well go back to that – kinda sad…

G on R: Yes – total BS answer – in fact he really wasn’t explaining the lyrics just REPEATING them – hilarious!!

When We Was Fab:I am glad you like the song, and your continued discussion of George and the Beatles has me sweating

Devil and Deep Blue: He had a place on the Islands, but I am not sure as to the specifics, but yes…

On The Bed: it’s where you got me now Mixdorf

Isn’t It A Pity: I really really enjoyed your take on this song. Very Nice.

Wrap: yes, isn’t it a pity about the dolphins

Great comments – thank you!!!

Wednesday, January 17, 2007

Dan's Comments on King George

I can't really respond to intro in a much more thoughtful way than did Mix. I, too, echo the idea that history may look back at Colonial British as bastards and fops, but significantly less so than they will the Spanish. Also-it would seem that Britons regard, above the mythical King Arthur, the real King Richard the Lionhearted as their true "ideal king," perhaps if somewhat undeservedly so.

Thanks for the background info on Easton. I think we all have fond remembrances of this young, idealistic, and daydreaming PG. And I still recall the words Mark Anderson (44) spoke in the early 90s, giving voice to what was a fear of all: "I'm not sure I like this new, knowledge-based Pat. I'm really going to miss ignorance-based Pat." I am lucky to have known you through some evolutionary years to your current state, which is a pleasant blend of the two. But the old, PG...the one who asked out (and go shot down by) only girls he knew were already dating, thought if he cut a hole in his dashboard he could stick a tape in there and it would play, and tried numerous times to walk into Narnia via his bedroom wall...THAT is the Easton Gib, and the one for whom we all have a wistful eye back upon. To know (not that we couldn't have guessed) that your appreciation of King George dates to those days-and is influenced by the youngGib colored glasses-well, it puts it in some nice context for me.

1. Rocking Chair in Hawaii: I can appreciate the picture to which you refer, and this sort of natural Hawaii appreciation by meditative George. However, it's tough for me to get past a story I once read about how George, alone of a whole collection of wealthy Hawaiian beachfront owners, was unwilling to let the public access his stretch of shore. So, let me get this straight: you want to share your love of this wonderful spot of the world through song, but fence off your beach? Reminds me of that lyric of his I always hated, "Didn't want to be a star/just wanted to play guitar/in this cockamanie business." Well, GEORGE, I got news for you. Lots of other people would "just like to play guitar," too. And being a star is what got you your little slice of paradise. Fuck you. It reminds me a bit of some sort of vapid wife of a CEO, showing off the size of her wedding ring, just really plain not realizing how good she's got it (financially) or how completely apart from the rest of the struggling world her existence really is. Rant done. As far as the song, I like the lyric you (and Mixdorf) point out, but I'm not a huge fan of the music. Seems pretty straightforward blues. I kind of like the lazy harmony. I can appreciate what you love about this song, and how it makes you feel. And I hope my negativity on it doesn't ruin anything for you. I'm sure it won't.

2. Ski-ing: This may not be the last time I say this in my comments but...this sounds like something you could have recorded, Gib. Something tells me you could have been a really good friend of George. Like, moreso that with any of the other Beatles. Hanging out and having a good time, but also recording together. Sorry that won't happen. But all the different guitar fuzz & exploration & different strains, AND the Indian instrumentation. It's SO Patty G! Fun to see him rocking out here.

3. How to Know God: Wow-now this is a BEAUTIFUL little aural departure. Fits with the (Indian?) accented voice and the simple, yet deep conceptual words which, though I don't necessarily reflect my perception of God, are a very interesting way of looking at things. I LOVE this. And the "page one hundred and thirty" part: how fun! What a great end!

4. Wah-Wah: Does seem a bit of a joyous romp to be too cynical of a dig at a person. A pretty fun rocker, but I get nothing approaching the sprinkles you get. A little like Ski-ing (and like many PGibby recording sessions) I picture George in the recording studio working on, I don't know, a 64-track recorder and using all tracks. Like, he could never listen to a recording he's made and not say, "hmmm...I could add another guitar right there." A lot happening, sonically. I like two of the chord changes quite a bit. Right off the bat-at about :29, right when he says (I think) you're giving me the wah-wah." A very late 60s/early 70s thing. Something that reminds me of The Hollies. Also, halfway through each "wah-wah" refrain, when it goes "up to the next level."

5. Pieces Fish: Very interesting words, and some quite funny. I've always been fascinated with zodiac stuff. Was George into that? Any connection to the transcendentalism & so on? I wouldn't think so. I think I do like it better, listen by listen. The topic-like he's hit upon what stirs him & makes him tick and now knows how to approach the rest of his life. Kind of like "CS&N"'s "Southern Cross." Very relaxing. Good to hear George "go low" on "through my soul."

6. Party Seacomb: Hey, Wonderwall. Magical Mystery Tour called, and it wants "Flying" back. Seriously, if not modeled after that earlier song, this song was certainly inspired by it. Beatle (Hammond?) organ going on in the later part. Sort of sonic cacauphony taking over towards the end, also in that same vein. I like it OK, and especially the little noodling guitar that is recorded quite starkly against the somewhat mushy soundscape of the rest of the song. But I don't think it could ascend above a "Blackberry Jam" status for me as a nice piece to a greater whole of an album. I take it that's not how you view the song, but for me it would help to hear it in the context of the rest of the album.

7. All Things Must Pass: Seems like this is sort of George's "Imagine." At once, a bit of a crowning achievement, musically, and also some kind of summation of his post-Beatles philosophy. Of course, he's "Dark Horse," so it never really totally caught the same sort of commercial wind. But I like your description of the hope in the song, for "a day, a season, a storm, a conversation, an illness, a relationship, a cycle." And I like Mixdorf's placing of it in Bhuddist context. Interesting that, despite it's hopeful message of acceptance, it's of a bit of a melancholy plodding nature, when his "attack on Paul McCartney" was the joyful romp. Perhaps that's how the Bhuddists do it.

8. George on Ringo: All the while echoing Mixx's "he shouldn't have to defend Ringo" sentiment, I can find the humour in it that Gibbs does. My favorite part: "People say, 'oh, that's just Ringo,' or 'haha.'" My other favorite part, when he's "dissecting the meaning" is when he explains the line, "We could be warm, beneath the STORM." Oh, thanks, George! I guess I never really quite thought of it that way!

9. When We Was Fab: I like Mixx's encapsulation of a retrospective that does not wish to necessarily relive the past, but appreciates it. And I like Gibbs placing us in our own "Fab" context. Not that George, who was taken to court over "My Sweet Lord" really needs this, but in hearing the piano in this song, was anyone else thinking of Double's "Captain of Her Heart?" The "weehee haaa" may have been the same "weehee haaa" from "I am the Walrus." I love the descending harmony during the "and when you're in this world/the fuzz gonna come and claim you" parts. I like the song; always have.

10. The Devil and the Deep Blue Sea: A great choice of a song for a cover. A nice version, with the Uke, and the tuba. "I should hate you, but I guess I love you" IS heavy stuff. A little like Smokey Robinson's "I don't like you, but I love you."

11. On the Bed: LOVE IT!!!! Like some sort of John Lennon experiement circa Revolver mixed with only the best parts of Manheim Steamroller (of which I now acknowledge there aren't many). The loops of - what - flugelhorn? The buzzy Indian intonations on couple of guitar layers. The moment of drums kicking in. Beautiful! A masterwork, really. That's what I thought upon first hearing it. Danbient, no. Because everything is so visceral and real sounding. Perhaps loops, but nothing synthesized. Sounds like certain members of a brass band were lifted by a giant eagle and carried upwards through the clouds. I do love your story, by the way.

12. Isn't it a Pity: I echo the appreciation of the lyrics, and his general ability to convey a substantive take with relatively simple words. I like the music and arrangement, though perhaps not quite as much as either of the Pats. I'm starting to sense some Jeff Lynne here, that most insidious of little devils on George's shoulder. His Own Gay Yoko/Linda.

Conclusion: Yes, it IS a pity what the English did to the Irish, but the Irish deserve some blame for what they've done to themselves. Look at all their old men in the pubs. Look at all their young men on drugs.

BS: On the Bed. A Triumph! Close second: How to Know God.

SIWHI: Here Comes the Moon: Looks like a brother to the sun/Or mother to the stars at night/And here it is and here it comes... /Here comes the moon the moon the moon the moon Moooooon.

Monday, January 15, 2007

Better Late than Never - Mix Reviews Volume 14

Damn! I can't believe that I'm the first person to wade into the domain of King George. So be it.

First, some notes on the write up:

Clearly there is some strong interest here to inspire this burst of scholarship and a greater dimension of scholarly MT mixed with the prancing fauns and sylvan glade MT will be welcomed and encouraged, but it is a bit of a shock. Out of the gate with allochronic, a word not previously part of my vocabulary, and one that having looked up I can't quite jive with the point you're making, though it matters little. This makes me eager for the once and future blog.

From my knowledge of history, the British, while clearly as successful as any colonial power in recent memory (none of the Enlightenment era powers matched the classical powers - from Macedonia, Rome, and Persia or even the later Mongols and Islamic Caliphate), were far less about conversion than the Spanish in particular. The British imposed their particular views of order and propriety (making the trains run on time) in places that probably weren't ready for it. But they were more likely to bend the local cultures rather than breaking them the way the more militantly Christian powers did. Not to say that they didn't do shitty things - they most certainly did, but their impact through the long lens of history will likely be seen as much more benevolent. The Spanish plundered, converted, and left little behind. The British at least left the trains.

In their current role they occupy the metaphorical role of wise grandfather, having seen most of what there is to see, and having made the mistakes we young'uns seem unwilling to acknowledge as nothing new under the sun. If only our dear leader had read some TE Lawrence we might be living in a better world. But alas, everything changed, and so we are left to watch the world spin once more, back to where it started. And poor puppy Blair, like so many unable to recognize that reason held no place in the strategic thinking defining our course.

But enough ranting...bring on the music.

Track 1 - Rocking Chair in Hawaii
I like the feel and the words of this song a great deal, though his vocal delivery is a bit too Droopy Dog at times. (the first ..take me my rocking chair.. is a perfect example)

Great lyrics:
"I love those sideways glances, your shoulder and your thigh..."
"If you don't get the picture you won't have the depth of field..."

I'm not sure whether George has any sort of connection to Hawaii, though I suspect he had a guitar part that had a bit of a ukulele feel to it and the song built from there. It definitely has a bright blues vibe running through it, no matter the contradiction in that statement. It's bluesy without being heavy, either through lyrics or through arrangement.

Generally the music moves along effortlessly, subtly in the backgound - simple drum part, gentle guitar - and then it kicks into the Hawaii feel full blast in the chorus. I'm not sure what the method for achieving the ukulele/steel drum sound presumably from the guitar, but it's pretty interesting.

I give it a thumbs up. And most of what I say matches your write up, so...I guess we are in agreement.

Track 2 - Ski-ing
This is pure late 60's George, at least my impression of what that era was for him. The stereo effects in this are pushed to my level of tolerance. I suspect being stoned might improve ones appreciation of it. Dark room lit by lava lamp, bong, beads, girl in a tie-dyed bikini, free love. Good times.

The engineering makes this song, in the sense of meshing all these bits together in a way that the musicians probably never heard them. Listening to that main guitar riff gets tiring in this even as it runs back and forth through my brain. This is a jam, manipulated into perhaps a sum greater than its parts, and perhaps possible only due to years of Beatles experimentation, and then ultimately free reign in a recording studio.

Enjoyable as part of the collection, but now as it runs through my head for the 4th time as I write this, it grows repetitive.

Track 3 - How to Know God
The book to which she refers is Deepak Chopra - uber guru to millions. All three statements about 'the soul' are interesting (love, existence, and knowledge) but where does it go from there? This is no place for a thorough fleshing out of the concept of soul (other than the soul of James Brown perhaps) so I will leave further insights for another venue.

Track 4 - Wah-Wah
This feels like a jam to me - less a song about anything specific to start with - and more of a bunch of great musicians letting it all hang loose. The lyrics, while intriguing for their possible references and otherwise general good sense, are mostly superfluous to me.

I definitely dig the horn parts and the whole thing has phenomenal energy once it gets cranking, but then it lingers perhaps a bit too long, like the last party guest struggling to find their way to the door. You’re cleaning up the wreckage, wiping down the counter, turning off the extra lights, and there they are, still telling the story you heard five hours prior. It's a GOOD story, but man, time to go.

Definitely heard what could be a car at the end.

Track 5 - Pisces Fish
In your "water place", the water is milky, though salty like the ocean.

I like the feel of this song, but it has some lyrics in the first verse that are jarring and unexpected.

"Canadian geese crap along the bank?"
"the chain is wrapped around the crank? (where's it supposed to be?)
"his mad cow's being put to sleep?"

Otherwise I dig it quite a bit, and if that's George doing all the vocals, he sounds amazingly feminine in some of those incarnations. Especially on some of the mmmm's.

Track 6 - Party Seacombe
One might get the sense from this (and Ski-ing) that old George spent a lot of time with that other George - Sir Martin as it were. For a guy whose image is one of the eastern philosopher and likely Beatles gateway drug provider, he definitely comes across as as much of a studio wonk as anyone. It's not like he cranked out some hard-driving but simple guitar songs for his first album. No, he used all those tricks and vibes he'd been advocating for on the Beatles albums back to Rubber Soul and Revolver. And this has lots of them, with a full dose of stereo effects. Throw in those other three 'lads' along with some lyrics and you've got a full blown Beatles song. Leaves me thinking King George was far more influential than I ever gave him credit for.

Track 7 – All Things Must Pass Away
Agreed, a lovely song. Nicely weighted, balanced and a great, if melancholy, listen.

I’m not sure it’s truly sad however, more like what I speculate is the true nature of Buddhism. What ol’ Siddhartha learned sitting under the lotus was that this life is it, and once you accept that this is the only shot you’ve got, then everything becomes much clearer. Reincarnation is a dodge to get people to behave better lest they next find themselves a parasite in an elephant’s intestine. Too many people need the threat of eternal (or at least a lifetime of) torment to overcome their nature to take advantage of others for their own personal gain. True enlightenment is knowing that doing good is the best reward of all. Now if only that were easier to achieve….

Not much to comment on musically. I just like it. And I believe this is the first of three that I know.

Track 8 – George on Ringo
Seems like George bullshitting an answer to a question he has no good answer for. He shouldn’t have to defend Ringo, and screw anyone who makes him.

Track 9 –When We Was Fab
The second song I know.

I hope we’re all being Fab.

It’s almost unimaginable to have been part of something like the Beatles, and then not. While the end for them may have dragged on longer than we realize, their apex covered a phenomenally short period of time and presumably was impossible to see from the inside. Simply an explosion, followed by a gentle fire (or smolder) that lasted 4 or 5 times longer. Crazy to imagine having their memories of moments.

It’s a song I’ve always liked, both for its musicality and for its healthy outlook. It seems like a happy, slightly wistful, journey back by someone not longing to repeat those moments, but simply glad to have been part of them. No bitterness here. And a bit of a Beatles retrospective, with sounds and effects that could have come from many different albums.

Track 10 – Between the Devil and the Deep Blue Sea
The third song I know, though I’ve never heard the version by George.

A true golden oldie that’s stood the test of time. Harold Arlen wrote lots of great songs of that era, including Over the Rainbow. Another song of his may feature on a future collection of mine.

This is a pleasant enough version, and the fact that the ukulele is featured certainly does tie it back to Rocking Chair. Did George spend time in Hawaii? I find it hard not to like – it moves along well – and the piano part floating around in the back gives it a nice lift when it kick in.

I should hate you, but I guess I love you – that’s tough stuff, though given the choice, the deep blue sea seems fairly obvious to me – even thinking that drowning would be a horrible way to die.

Track 11 – On the Bed
Almost a late addition to Danbient.

I like how it builds, particularly at the beginning. Once it achieves full flower it does less for me though it’s still quite likable. I’m not sure what the instrument is that kicks it off, slightly piano-like but clearly something else. And the obvious Indian inflections from a man quite influenced by what he found there.

It is too bad for the dolphins. They were noble creatures.

Track 12 – Isn’t a Pity
This is a man that can take a weighty topic, sing it straight up the middle and keep it from being hackneyed. He avoids the trap of overselling – not using words and phrases that seem more poignant while in fact stuffing it with pretension. This is simple and elegant, just like All Things Must Pass, and I like it a lot. There are lots of times when melancholy songs are something I seek out, like listening to the blues when your sad, and this would be a welcome addition to that collection of songs.

Like ATMP, nicely weighted and balanced, all the parts helping the whole. Solemn, majestic, and sad. Just lovely.

Conclusion
I’m not sure I feel I was as verbose or eloquent as perhaps I had hoped to be. I have no explanation for this, other than I said what I wanted to say and left it at that. Many of these songs were ones that I trouble breaking down into bits – they affected more holistically – even more than usual perhaps for someone who doesn’t ‘hear’ the same way as some of the others. I did enjoy hearing more from King George, and I look forward to the next installment of Mighty Tom’s History of the World.

BS – Close, but probably ATMP, with IIAP ready to fill in should he falter.

SIWHI – I don’t feel qualified based on the few other GH songs I know.

Bring on Pac Man Fever!

Friday, January 12, 2007

* Cheers (song 1)

Raise up your glass of your finest beer, sit back, and enjoy a collection that takes you back to those okward years known as the 80's. This is an album where everyone knows your name and where all our troubles are the same. The 80's is a time when we all thought about nuclear war, girls, science fiction, high school, and MTV.

Cheers to you and remember that the proper thing to do when playing Pac-Man is to put down only two quarters at a time just above the joystick. So if your hungry, pack your Pac-Man lunch box and listen to this album. Afterwards, you will be ready to spike your hair with aquanet and bust out your old tapes. Becareful not to hold your boom box too close to your head or you will damage your 30 something ears.

P.S. One of my favorite things to do while listening to Pac-Man's i-Pod is to find an old piece of cardboard and break out some dance moves with it. I also enjoy reading the Pac-Man companions guide as to learn the moves to succed at the game (kidding Dan).

* You Make Loving Fun - Fleetwood Mac (song 2)

From Fleetwood Mac's Greatest Hits comes You Make Loving Fun. This song was not born in the 80's, but man it was heard by these ears many times throughout the 80's, thus has a home as the lead-off man here on Pac-Man's i-Pod.

Greatest Hits is a great overview of Fleetwood Mac's hit making years. Fleetwood Mac continues to utilize the harmonic blends within the group especially Lindsey Buckingham's voice. Lindsey buckingham has made an appearence once before in CMC. Dan actually introduced us to the musical talents of Lindsey on DanPR. In You Make Loving Fun, Lindsey was not involved with producing the song. However he is active all over Greatest Hits. With an outstanding rhtyhm section combined with great vocals, You Make Loving Fun is one of the 70's finest pieces of pop.

"You make me happy with the things you do" is a very cool line and transends great lyrics. It finds it's way into deeper conciousness of love and defines an awesome way of communicating to your lover. If you hear those words you will be very happy and silly with love.

There is some very good drum and guitar work in this song that nicely binds the song to the lyrics. Beautifully played song Fleetwood! There is a great guitar piece at about the 1:25 mark that you can die for. "Oooohhh you make loving fun" says it best.

* Bette Davis Eyes - Kim Carnes (song 3)

This is the only song on my Pac-Man collection that I didn't already have on an album. I had to get it off of i-Tunes. Kim Carnes has a great voice and I like to hear her sing, but she is not allowed to stand near me if she are puffing on a cancer stick. How do women get voices like that? Smoking? Genetics? It is unusual and I dig it greatly.

Bette Davis Eyes spent 9 weeks at the top of the Billboards in 1981. It won Grammys for Song of the Year and Record of the Year. After that brief success, she could not follow it up with anything worth while and returned to her country-folk roots. She moved to Nashville in 1994 and is concentrating on songwriting.

In this song you will hear a gentle and flowing tempo that is caressed with the sultry voice of Kim Carnes. I find the lyrics to be clever and telling. Imagine those eyes watching you or giving you a nasty look from across the room. It would tear through your head man like a powerful laser and destroy all that you are. "Her hair is hollow gold" sets the stage for what kind of girl Kim is singing about. "She will roll you like dice" tells me that she is going to hypnotize you and then take advantage of you. To recap, I most of all love the voice singing those clever lyrics. When I was a kid, I thought that it was Cathryn Hepburn singing. As we all know it was not, but that's what I thought many moons ago. Bette Davis had eyes that were like that of the snake from Disney's Jungle Book movie. Stay away from women like that.

* 99 Luft Balloons - Nena (song 4, German)

To start, I know Dan hates this song and to him I apologize for nothing. I must include it because this is my collection not his, and because it is one that I dig a ton from the 80's.

After only a year as vocalist for the band Stripes, Nena Kerner created a new band in Berlin called Nena. The band's debut single Nur Getraumt became a number one in German speaking countries. Their second single, 99 Luft Balloons was huge success in the US. What was unique about 99 Luft Balloons is that the German version was more popular than the English version in the US.

I have to admit that their is something incredible about hearing her sing in German. It is exotic and something that I don't get to hear very often. Maybe it is one reason why I like it so much. I very much like the synth. action because it makes this song work. I could hear just the instruments and I immediately know that it is 99 Luft Balloons. Another aspect to this song that I always loved was the mention of Captain Kirk. Who could hate a song that mentions the greatest Starfleet Captain ever? Dan, that's who. Sorry Dan for busting your chops on this one.

The song is about cold war anxiety and it tapped into the fears of a nuclear apocalypse. At the time of this song Germany was split into East and West. 99 Luft Ballons also tells a tale about how balloons that are being mistaken for incoming missles. a very deep and scary song to me. As one who worries about everything, I was always carrying around a lot of anxiety about nuclear war in the 80's. Do you remember practicing drills for bombs? I still remember thinking, "What the hell is a desk going to do for me when the insane heat and blast comes from the explosion?" Did you guys ever see the old films in class about nuclear bomb safety precautions? One amazing thing that songs do is that they are able to take you back into time if you so desire. I LOVE it!

* Walk of Life - Dire Straits (song 5)

From my days of watching MTV as a kid, to working at Philmont, to riding in the back of Mixdorf's truck Dire Staits has been there and had a small impact on me. I distinctly remember the videos and the powerful songs that was transmitted with them. Even though Money for Nothing was mocking MTV it played all of the time. However, the song that stands out more for me is Walk of Life. I really like this song and I marvel at how catchy the song remains. I hum or sing it and I am doing it all day. The up-tempo drives me forward and helps me walk the good life.

Ooooohhh, the sweet synth / keyboard is like a giant banjo minnow dancing infront of me daring me to grab it. Like a fat bass, I lunge for it. I LOVE it! More than he lyrics the music is what really makes this song for me. Walk of Life is sometimes more like a crazy spirit than a walk, but we all have to take it in stride and enjoy the path we are on.

While working at Philmont, I listened to a Dire Straits album that I borrowed from a coworker and it was great. I don't remember the album, but there was one song on there that was superior and it stuck with me since the summer of 93'. That song I believe was called Trail of Tears. It is a great song about the Cherokee people and their horrific journey they took across the south at gun point. It is on my next i-Tunes order.

I want to say the Mixdorf is a fan of Dire Straits or he use to be. Once, while driving up to Minneapolis one wintery break we listened to them. I was riding in the back of his brown Chevy S-10 while listening to Brother in Arms. This is one of the albums from which this song resides. I should mention that Mixdorf's Chevy became mine in the summer of 95'. Steve is probably the only one to be without that usless trivia, but not anymore. I remember enjoying that album and the songs that are on it. Some of the songs from that album include: Money for Nothing, So Far Away, Ride Across the River, and Why Worry. A great album that stands in a distinctive light within their own catalog. In England, Brother in Arms was the biggest selling album in the 80's. Listen to it, love it, and enjoy it!

* Magic - Cars (song 6)

The Cars were the most successful American new wave band in the late 70's and early 80's. What is known as mechanical pop / rock, the Cars music captured the top 40 many times and many of their albums became platinum.

The first time I heard this song was when I was in Eau Claire, Wisconsin visiting my cousins. Todd and Shawn were a few years older than I was and they always did cool things. I think that I was about 13 and very impressioable. They listened to a lot of Scorpion, which I didn't like, and the Cars. The line "twisted on the sideways down" has been in my head since that vist, and the Cars have too. The band has a great and unique sound. The lead-in is one aspect to this song that I find powerful and intriging. As a newbee fan of the electric guitar, I have discovered new aspects to this song that I never really appreciated before. There are some great representations of awesome guitar work throughout this song.

I also remember hearing this song while at Camp (WSR). I have to guess that it was Gibbons and the Eology Staff that brought forth these tunes and played them generously for those visiting the area to enjoy. Thanks Gibbs for great memories and music at camp.

In my collection, this song comes from The Cars Greatest Hits album. Even though the song sold over an infinity of copies on 1984's Heartbeat City, many old-school Cars fans thought that it was too much of a bubble gum pop tune. bubble gum I think not! It is more like those warm and wondrful mini donuts from the state fair for your hungry ears. I flippin' love this song and it had to be included on this album. The word magic is mentioned someplace else on this album so listen carefully. did you find it?

On the cover of mt greatest hits album there are little toy cars. I once had one of those little toy cars, the blue one, and it came with a camper that it pulled. Clearly a 50's toy, it was made of metal and so was the camper. How time has passed. The days were you pulled a camper with your car are over. Who does that anymore? You are mocked if you are not pulling your camper, trailer, boat, yard debris, or horses without an oversized monster truck made by Ford or Chevy. Sorry Gibbs. Just a bit of fun info for me to share.

* Small Town - John Mellencamp (song 7)

The album from which this song was birthed is called Scarecrow. The producers to this album are Little Bastard and Don Gehman. Small Town was written on April 17th, 1985 at 12:00 Noon. This is just one day after Gibbons 14th birthday. Did John Melloncamp attend Pat's birthday party or did he just hold off a day to show reverence to our little Indiana buddy?

John Melloncamp is another heartland rocker that could fit nicely with your Bob Segar collection. Two Americana rockers that love to sing about the little guy and the hard life. John has never been known as master lyrics writer, but in the songs Rain on the Scarecrow and Small Town capture the meat and potato intrests of the poeple in America's Heartland. One could easily stand John Melloncamp, Bob Segar, and Bruce Sprinsteen up on a stage and you would have created an instant aid concert for the average out of work blue-collar and red-blodded American.

What I like most about this song is that it talks about his love for the small town. I have a lot of great memories of small towns. I lived in chatfield, Minnesota for a year and it was a great place to live. The tight knit community was something that I greatly admire. I looked forward to getting my haircut by the same guy each month. We developed a small relationship where we would ask each other how projects were going, how family members were, and what plans we might have in the coming week. It was nice to share more than just the superficial bolonga that you pertake in at Cost Cutters. Playing basketball at the only elementary building in town with town officials and local leaders at 5:30 in the morning every Tuesday and Friday were highlights to living in a small town. After work, I would occassonaly decide to go downstairs and around the corner of the block to get myself a pizza and a movie from Hummdinger Pizza. The store logo was a cowboy pizza maker twirrling a pizza while riding a horse. Brilliant! A ton of great memories made in small towns. The best was meeting my wife when living in Chatfield!

The line, "No I cannot forget from where it is that I come from, I cannot forget the people who love me" sparks my root cap (the part of the root that busts through the soil and rocks to allow the tree to dig deeper into its biological purpose) and it gets me thinking about my family and how it is my purpose to be the glue. Holidays and family events are held at my house because it is neutral ground (kind of like a church in the Highlander movies). I love my family and want them to see that we are all here for just a little while, and that the trival things should be forgotten. My sisters and mon remain bitter towards one another and it's a tough rock to crack. However tough it is, I will continue to fight to be the familt glue that leaves the light on for them. It still amazes me how we all came from the same Small Town and how we remain to be close friends even though nobody lives in that Small Town anymore.

* Every Breath You Take - Police (song 8)

If you don't like Pac-Man's i-Pod then I will stalk you down and shove it up your pie hole. Kidding. Every Breath You Take is a brilliant song because it is so simple both lyrucally and musically. Sting wrote this song and its simple nature was totally intentional. The stalker that this song is about needs to keep things simple so that he is not discovered. When you add a lot of complexity to this stalker song, things could get messy. Originally, this song was to have a synth-driven instrumental section. It didn't fit the overall feel of the song so it was cut. When things get messy, stalkers get caught. "Every move you make, I'll be watching you." This line sums up exactly how creepy this song is if you really think about it.

The opening drums and bass to this song set the stage wonderfully. Who could not recognize the opening to this song? It is very distinct and incredible. The eighth-not pulse in Sting's bass line is steady and simple. Don't really know what I just said, but Allmusic has been very helpful. Every Breath You Take was #1 for eight weeks and was the biggest hit single in 1983.

I remember listening to this song all of the time because my pop recorded it off of the radio. He played it in his tape deck a lot when we traversed the metro area looking to play Pac-Man and Donkey Kong. We went to Shakey's Pizza, Showbiz, and Sears to get our game fix satisfied. I guess we took the occasional break to play Centipede and Frogger. Once we got back into the car we heard my pop's mixed tape again and looked forward to playing foosball and pool in the basement of his west side home. By the way it still smells like Methuen's stinky ass!

Every breath you take
Every move you make
Every bond you break
Every step you take
I'll be watching you.

Every single day
Every word you say
Every game you play
Every night you stay
I'll be watching you.

Oh can't you see
You belong to me?
How my poor heart aches
with every step you take.

Every move you make
Every vow you break
Every smile you fake
Every claim you stake
I'll be watching you.

Since you've gone I've been lost without a trace.
I dream at night, I can only see your face.
I look around but it's you I can't replace.
I keep crying baby, baby please..................

Every move you make
Every vow you break
Every smile you fake
Every claim you stake
I'll be watching you.

Every move you make
Every vow you break
Every smile you fake
Every claim you stake
I'll be watching you.......

* Against the Wind - Bob Seger (song 9)

Bob Seger started off as a Michigan garage rocker with a band trio called the Decibels. Bob Seger has a distinct American sound and maybe a poster child for something that I call Americana rock. He is definately a blue collar musician who sings about the common man. Against the Wind became Seger's first number one album in 1980. This poor man has gone through a million and one bands. Is he hard to work with or does everyone he hooks up with fizzle out on him? Something to explore I guess. After the Decibels he was involved with the Town Criers, Doug Brown and the Omes, the Beach Bums, solo stuff, Silver Bullet Band, and then more solo stuff. His latest album was released in 2006 and is called Face the Promise.

A song about turning against the grain of life, and to use the metaphor swimming upstream says it all. Sometimes in life people choose the more difficult path of hard knocks. However, on that path we get some of our best life lessons and experiences. Many a songs and even a music genre or two have come from the path of hard knocks.

This song gets me thinking about how hard my life has been at times. I was thrown a lot of roadblocks in my young life and I guess the easy path would have been to accept the hand that was delt to me and to be happy with that. My internal operating system doesn't allow for me to work that way. I saw a challenge and thus found a way to win. The path to success is a narrow one, while the road to folding is wide and heavily used. What I am saying is that sometimes you need to go against the wind. This song is a constant reminder to me that I need to keep challenging myself and not to become complacid.

This gentle song with it's gradual beat gets my musical pulse in rhythm. I really like the lyrics. Bob Seger in the liner notes states that he never liked the line "Wish I didn't knoe now what I didn't know then" and it bothered him for a long time. However, everyone that he ever talked to about it loved the line. Thus, he left it in the song. The original thought was to have a piano solo. Glenn Frey of the Eagles had an idea that Drew Abbott, the guitarist, should play along with the piano solo. Bob Seger and Glenn Frey then sang the background vocals together. "Well those drifter days are past me now" really hits home. Great lines throughout. At the end of the song you will hear the line "Let the cowboys ride!" This line sets for me a strong punctuation to the end of a great song.

It seems like yesterday
But it was long ago
Janey was lovely she was the queen of my nights
There in the darkness with the radio playing low
And the secrets that we shared
The mountains that we moved
Caught like a wildfire out of control
'Til there was nothing left to burn and nothing left to prove
And I remember what she said to me
How she swore that it never would end
I remember how she held me oh so tight
Wish I didn't know now what I didn't know then

Against the wind
We were runnin' against the wind
We were young and strong, we were runnin'
Against the wind

The years rolled slowly past
And I found myself alone
Surrounded by strangers I thought were my friends
I found myself further and further from my home
And I guess I lost my way
There were oh so many roads
I was living to run and running to live
Never worryied about paying or even how much I owed
Moving eight miles a minute for months at a time
Breaking all of the rules that would bend
I began to find myself searching
Searching for shelter again and again

Against the wind
A little something against the wind
I found myself seeking shelter sgainst the wind

Well those drifter's days are past me now
I've got so much more to think about
Deadlines and commitments
What to leave in, what to leave out

Against the wind
I'm still runnin' against the wind
I'm older now but still runnin' against the wind
Well I'm older now and still runnin'
Against the wind
Against the wind
Against the wind

Still runnin'
I'm still runnin' against the wind
I'm still runnin'
I'm still runnin' against the wind
Still runnin'
Runnin' against the wind
Runnin' against the wind
See the young man run
Watch the young man run
Watch the young man runnin'
He'll be runnin' against the wind
Let the cowboys ride
Let the cowboys ride
They'll be ridin' against the wind
Against the wind ...

Tuesday, January 09, 2007

* I Won't Back Down - Tom Petty (song 10)

I have been on the fence for awhile with this song, and have just recently allowed myself to place it into this album. What I mean is that I can easily throw this song into three or four albums that I want to put together. Full Moon Fever is an awesome album. There are few albums out there that I buy because all of the songs are gems. Usually, especially in the old days, you have to buy the entire album even if you liked only a couple of songs. Those days are over thank God. I bought this album back in the 80's when I only had a cassette player, thus it is not played any longer. I am very tempted to look for it online in the cd format. I have a greatest hits album that has "I Won't Back Down", my favorite Tom Petty song, so I guess that's why I have not gone ahead and tracked down the album on cd.

In my opinion, the music and lyrics are very explosive on this album. "There ain't no easy way out ...But I won't back Down" is a theme that underdog lovers flock towards. I love flexing my discernment muscle in the blind eyes of corrupt authority. I won't back down either. The beat in this song marches strong and it's simple structure makes it easy to tap my foot to. At about the 1:50 mark you will hear some outstanding guitar paired with the steady drum beat picks me up to new levels of feeling it. This song broke into the top 20 in 1989, and has been my top 100 ever since.

1989 was my first year on camp staff. Was that the year all of us except Methuen worked on staff, or was it 1990? I remember hearing it and playing it at Elliott.

Well I won't back down
No I won't back down
You can stand me up at the gates of hell
But I won't back down

/ Bm A D - / / Bm A G - / 1st /

No, I'll stand my ground
Won't be turned around
And I'll keep this world from draggin' me down
Gonna stand my ground
And I won't back down

... / Bm A D GD /

{Refrain}
I won't back down
Hey baby, there ain't no easy way out
I won't back down
Hey I will stand my ground
And I won't back down

/ G D A D G - A GD / G D A - Bm A D - / Bm A D - /

Well I know what's right, I got just one life
In a world that keeps on pushin' me around
But I'll stand my ground and I won't back down

{Refrain thrice}

No, I won't back down

* Take On Me - A-Ha (song 11)

A-Ha formed in the early 80's. From this formation of musical talent came one of my favorite 80' hits. "Take On Me" hit number 2 in the UK in November of 1985. The song did one better in the US mostly because of it's creative video which was played on MTV over and over again. The video fused animation with real-life action which was a new technology / concept in the early to mid 80's. The album from which this song played from was called Hunting High and Low. This cohesive album carries the same energy and synthesizer pop fix that "Take On Me" provides.

As a kid growing up in East Waterloo we didn't have a lot. However, the one thing that we did have was MTV. I watched that damn channel all of the time. Early MTV was good programming. The song "Take On Me" became an 80's hit for me mostly because of the video. I remember being floored by the flow of animation and live-action in the video. The song it's self is an interesting story told best by Wikipedia.

The saga of the video begins as a blonde young woman (played by actress Bunty Bailey[1]) is in a coffee shop (London's Kim's Café), reading a comic book about competitive motorcycle racing.

Bunty Bailey and Morten Harkett in the "Take on Me" music video.

Bunty Bailey and Morten Harkett in the "Take on Me" music video.

After winning the race, Morten Harket (who plays the winner of the race) winks at the girl; she raises her eyebrows. He then reaches his black and white cartoon hand through the comic book pulling the girl into his animated world with his band in tow. Through a creative effect they both view each other through a comic frame which shows them (and the band members) alternately in live-action and animation.

The waitress, coming back for the bill, angrily crumples up the comic book in retaliation for what appears as a stiffing and throws it into the trash. As this happens, two of Harket's competitors in the race come back for revenge. One, wielding a monkey wrench, smashes the comic frame. Harket punches one of the henchmen, and retreats with the girl down a maze created by the crumpling. Harket tears a hole for the girl to escape through, as he faces the two. The entire coffeeshop peers over the counter at the heavily newspaper-print stained girl lying next to the waste-paper basket. The startled girl grabs the crumpled comic book and runs out of the coffeeshop to her room, where she tries to smooth out the creases.

One of the panels shows Harket lying unconscious, and she begins to cry. Harket then comes back to life - appearing in the girl's room - smashing himself against the wall as he flashes back and forth between animated and live-action. Eventually, he becomes the latter, and the girl and Harket embrace.

What I like the most about the song are the synthesizer and poppin beat that is carried throughout. The levels that he rises his voice to are incredible. His testosterone levels must be very low or he has not yet gone through puberty. Singing that high is a WOW factor for me. A-HA is from the Netherlands and which I think are apart of the European Union? Europeans have embraced the synthesiszer and have gone wild with it. I applaude them and their efforts for doing that. I believe that I would have a great time hanging out in Europe listening to what that continent has to offer. I am a solid fan of the synth, and feel that it is hard to have too much of it. Take On Me........................Take Me On!!!!!!!!!!!!!!!!!!!!!!!!!!

Talking away
I don't know what I'm to say
I'll say it anyway
today's another day to find you
Shying away
I'll be coming for you love O.K.


Take on me
Take me on
I'll be gone
in a day or two


So needless to say I'm odds and ends
But that's me, stumbling away
Slowly learning that life is O.K.
Say after me
It's no better to be safe than sorry.


Take on me
Take me on
I'll be gone
in a day or two.


The things that you say
Is it live or just to play
My worries away
You're all the things I've got to remember
You shying away
I'll be coming for you anyway


Take on me
Take me on
I'll be gone
in a day or two


ad lib to end