Tuesday, February 27, 2007

Comments to Mightytum Yum Yum's Comments

Very nice my outstand friend. Glad that you enjoyed most of the album. Thanks for the props on the album cover.

In regaurds to the ghosts jumping over the dividers on the album cover.

MT: But, couldn't you just hop over the dividers?

TC: Yes, but none of them are that smart.

I have a question for you MT. You wrote that you were in a body cast in the first paragraph of your comments. Was the body cast from your sledding accident on suicide hill at camp? If so, were you with your good friend Brian Lawry?

In regaurds to the Pac-Man cartoon.

MT: I was a Pac-Man freak for awhile. My famouse Pac-Man Birthday-Pac-Man single, cake, Atari 2600 game cartridge, T-shirt, remember the cartoon?

TC: Remember the cartoon? I created the cartoon. I loved it! Do you know what I love more than the cartoon? It was the lunch box that I had. My mom threw it away. Don't know why.

Question from MT. T-clog, you mentioned that you like to whip out some cardboard and bust out some dance moves, would you be interested in doing that in the nude someday?

TC: Yes, but you will have to pay me.

The theme song was never written or sung by Woody. That is just a stupid urban legand. It's like saying that the bird in the forest where the tin man lived was a munchkin hanging himself. Silly, absolutely silly. This is what I found online:

"Cheers" -- This theme, written by Judy Hart Angelo and Gary Portnoy and sung by Portnoy, is as much a part of the series as the communal cry of "Norm!" or Sam's legendary luck with the ladies.

Interesting to hear you describe bands or artisits into tiers. Tom Petty was up there for me back in the late 80's and early 90's. Mostly because of Full Moon Fever. Speaking of which, I bought this weekend on cd. I only had the tape version and it has been digging at me for a long time now. So I just bought it because I wanted it real bad. :)

Brian Lawry and I went down to Iowa City to Carver Hawkeye Arena to see Tom Petty. We almost didn't make it becasue Brians love van was breaking down every 20 miles. Well we finally got there and had a good time. I almost got into afight with a guy because he was smoking grass infront of me. Dan, do you remember those silly days when I got so mad at you when you asked me about grass?

Question from MT. Do they refer to balloons as "air balloons" in Germany?

TC: No, they are regular balloons.

MT: ...there is a harmonica thing that I never liked....

TC: Get over it! Harmonicas should be embraced by other instruments. They can do a hell of a lot more than an egg shaped shaker!

MT: Congratulations to The Police, and did you guys know - they are getting back together for a tour, not sure if they'll be recording or not.

TC: Yes I knew that they were going to tour. I have no idea if they will make new music together.

Thanks MT for you comments and whether you liked it or not. It really helps me to understand more if you tell me if you like the song or not.

Monday, February 19, 2007

Wokka Wokka Wokka - Mix Reviews Volume 15

Ahh, the 1980's. Without it, this collective would not exist. Those were formative years, when Dan's form was perfect, my shirts were green, Stephen was the next Kurt Loder, Mighty Tom was one insatiable step away from calamity, and TClog...well, he was in east Waterloo. Those ten years certainly set my musical direction without freezing it in time there. They included the best of times and the worst of times, though not even really the best. Good times.

Weight lifting and boxing in the Central gym late at night.
'Fishing' on the Wapsi.
Laser tag and tracer disks on Alpine Drive.
Basketball at Irving.
Field of 64.
and many more...

And through it all there was music.
Disco drew to an end, as did punk. Rock and roll reemerged in several forms, from the early gritty hair bands like Night Ranger and their ilk to New Wave and the earliest inklings of something that would come to be known as alternative. At the beginning of the decade I would have been seen as a disco fan, digging The Bee Gees and ABBA. The middle of the decade would have found me riding the MTV wave wherever it led me. And boy did it lead me. Other than Yo MTV Raps and Headbanger's Ball I enjoyed most of what it had to offer, though I certainly resisted the pull of the hair bands and their later glam rock children. I was a New Wave child to be sure and was later absorbed whole heartedly into alternative, but even still I knew the top 40 as well as anyone and radio had not lost its allure.

I remember clearly 107.9 (KFMW?) playing Toni Basil's Mickey ten point seven times in a row. I sat through them all for some reason, though other than the novelty, I can't imagine why. I was a huge Dr. Demento fan through a chunk of the 80's, making room in my schedule for three hours of listening on many Sunday nights. I endured several summers of detasseling, and no song brings back the sense of that experience than Luka by Suzanne Vega.

To this day I can tell you what year (within one) that any particular hit from the 80's came out. These songs fall comfortably within that sweet spot.

Song Zero - Cheers Theme (short version)
There are only a few TV theme songs with lyrics that ever really made an impact for me. The Greatest American Hero theme is probably at the top of that list, particularly from that era, but the Cheers theme is solid. Interesting to have an extended version on this collection. The short version is the one that we all know, and it was wisely chosen over the long form version which goes some places emotionally that the TV show wasn't really trying to get. Everything about this version is pleasantly nostalgic. Cheers was a show that I watched plenty of, though perhaps not as much as Dan. And I've seen it recently, on TVLand or whatever channel it exists in syndication. It holds up pretty well, though having moved to the area, no one in the show really seems like they would be from Boston. Cliff has an accent, but it's one that I've never really heard from any real life person, and the rest of them seem completely devoid of the Boston accent, no matter the level of their education.

Song One – You Make Lovin’ Fun

Lots to things to like about Fleetwood Mac and this song combines signature elements for them, but it is not amongst my favorites. By my understanding this song was a total fuck you to John McVie from Christine McVie after they broke up/divorced. She was now singing about her new guy and giving it to John in as nasty a way as she could manage. He apparently, no longer made loving fun.

Some interesting stereo action with the drums on this one and some funky guitar – like really funk guitar. The bass seems to march through the song as a pissed off guy stomping out of the room, or perhaps I’m reading too much into this.

Song Two – Bette Davis Eyes

After 20 plus years I’ve finally resolved the line that always perplexed me, and without turning to the internet to do it.

…she knows just what it takes to make a pro blush…

as opposed to what my 10 year old ears heard

…she knows just what it takes to make a proplush..

Subtle I know, but my young mind couldn’t get there. I suspect I really didn’t know the word pro in this context and possibly not really why one would blush. So naïve.

It has a very 80’s keyboard sound to it, but the drums are solid, and the bass is workable. The lyrics are pretty well worked out even if the subject matter doesn’t interest me or grab me. Her voice is her signature, 3 packs a day and all, and it works, even if you know that Kim will never be the girl with Betty Davis eyes. Phone sex maybe.

Song Three – 99 Luftballons

Ah Nena, you could join running Lola in the pantheon of idiomatic German chanteuses. You were there first regardless of her fast running, but of course you were far behind Marlene Dietrich and even Lili Von Schtup. Still, your place will remain inviolate until those 99 luftballons find their way home.

This song is 80’s all the way. I do like some of the drumming though the keyboard reeks of 80’s, and even in German her voice is pleasant enough. And amongst the German one hit wonders including Falco and The Scorpions, I’ll take Nena any day. Thanks in some small part to all of them, the cold war ended without those air balloons causing any trouble.

I don’t recall drilling for nuclear Armageddon, just tornadoes. At the schools I went to I think everyone had come to the realization that putting your head between your knees was just going to be an awkward position to be found dead in. When we moved out of the house I grew up in we did find a Build Your Own Bomb Shelter pamphlet clearly from an age when that seemed like a good idea.

Song Four – Walk of Life

Truly one of those classic ‘inside baseball’ rock and roll songs, with all sorts of possible references to some glory day of blues emergence. Short of a reference to Clarksdale this song has it all. It comes from a pretty excellent album even if you’d happily die without hearing Money for Nothing ever again. Lots of good tracks and ending with a song so poignant and moody it’d almost make you cry (the title track – Brothers in Arms).

This track follows the aforementioned post-modern Money for Nothing with a straight back to rock and roll riff asking nothing of the listener but to sit back and enjoy. No irony, no jabs at the appliance industry, or even MTV, just a little romp and the likely sequel to Sultans of Swing.

A good track this, though not my favorite from the album. And to agree with Mighty Tum Tum, Mark Knopfler is an excellent guitarist, though this doesn’t show him at his most excellent.

Dire Straits Greatest Hits is filled with good tracks including songs like Down to the Waterline and Telegraph Road.

Song Five – Magic

From the weird boys of Boston, as opposed to that other Boston group, the bad boys of Boston, and well, Boston. The Cars are one of those bands that almost everyone had the greatest hits album and no actual albums no matter how popular they were. Stephen may break that streak – I’m hoping he has some insight to share since I only know what everyone else knows, other than perhaps that they’re from Boston.

Candy-o is supposed to be a great album. Anyone heard it? Why?

For me, particularly in that time period, The Cars were well represented on radio and on MTV and that’s about as deep as my musical exploration went. It was really after this era that I got more interested in plumbing the depths of a band’s catalog. Who knows, a deeper understanding of The Cars might offer up some bounty. Rik was certainly literate in a way that would appeal to my sensibilities, but I suspect The Cars will remain hidden from my view.

As to the song….other than Drive this is really what I think of when I think of The Cars, correctly or incorrectly. And that makes me think of very skinny Rik perched over a pool, and a cartoony fly, for of course they were video pioneers. It’s got a very 80’s vibe and TClog and I will have to agree to disagree on that 80’s synthesizer sound. In most cases it doesn’t really endear itself to me. There are some interesting guitar effects, some good harmonies and some solid drumming with some tidy little fills.

Song Six – Small Town

I recently learned that JM didn’t choose Cougar for himself. The first he saw it was when the album art for his first album was presented to him. The record company thought Mellencamp was too German. He may be talking his way out of a bad decision, but for me the whole Cougar thing really started me off with a bad taste in my mouth. I hated Jack and Diane. There was clearly more to it than the Cougar and most likely it was his complete contrast with Flock of Seagulls, but we all grow and I have grown to respect his musical talents. His latest song incorporated into a sickening Chevy ad may undo much of that good will, but we’ll have to see how that plays out. It did knock Bob Seger off regular commercial play, and there’s something to be said for that.

When this song first came out I was still mostly annoyed by JM, though I have since come to appreciate its sensibility relative to the way he seems to live his life. It was however the era that had an MTV contest where your house would be painted pink and JM would perform in your back yard. To this day I clearly recall the ‘paint the mother pank’ (spelling intentional) tagline of the advertising. God I hated it.

I like the song now, as I have come to like Pink Houses even, appreciating its straight forward rock and roll sensibility with seemingly heartfelt lyrics. My favorite JM remains ‘I Saw Her First – Key West Intermezzo’. There’s something about the hook in that song that totally floats my boat.

Good choice Clog – no synth, just some organ. Hopefully for TClog, since there can be only one, it is he.

Track Seven – Every Breath You Take

In the hands of a less gifted songwriter and set of musicians this song would risk coming across as annoyingly repetitive. But, these are The Police, and they pull it off. From the Sting dominated era of The Police and the last tremendous gasp before they passed the baton, this remains the most well known song from an almost universally great album. Only Mother puts a dent in its greatness. It is sublime, even if the lyrics occasionally go where no man has gone before – possibly following lemmings back into their shiny metal boxes.

Clog (or Allmusic) is right that the song requires simplicity to work, but without gifted musicians it would probably have sucked. Great bass and drums with the guitar finding its way in at the edges and few piano plinks at the chorus. Just great. It is relentless and beautiful, like no stalker you’ve ever known.

Track Eight – Against the Wind

Much of my opinion of Bob Seger stems from an unbelievably strong dislike of Like a Rock. God I hate that song. It makes me wince.

But, I will not hold that against Bob and I will listen to this with as fresh ears as I can manage. And for the most part these new ears find what they hear to be pleasant. I like the piano part quite a bit and for the most part the lyrics seem to come from an authentic place. The metaphor is an interesting one though I get a little lost in the end with the cowboys and the young man. The romantic notion of the cowboy maybe running counter to the pull of society, but the reality of the cowboy lifestyle is no more resistant than dozens of other jobs that seem unchanged through history. And even those of us working ‘modern’ jobs, many of us are fighting the natural flow of society, the wind that I sense he is generally referring to.

A Bob Seger Greatest Hit for me, and possibly only as part of an EP.

Track 9 – I Won’t Back Down

Almost inexplicably Full Moon Fever dominated the radio during our (sorry Clog) freshman year in college. Even as an album I enjoyed a lot, looking back I simply can’t explain it. And that’s no offense to Tom, he’s pretty much been making the same album for 25 years, unapologetically and without pretense. But the stars aligned and made FMF into a freak of nature.

Straight ahead rock and roll, with lyrics to match, it’s hard to be too critical. Of Tom’s songs like this one I prefer the energy of American Girl more, but this is a good song to get one pumped up, and TClog asks for little more.

Track 10 – Take on Me

Truly a mind blowing video and much gratitude is owed them for that. This song is pure 80’s. Clog loves his synth and he gets a full dose here along with a full load of computer generated sounds. And man, that falsetto. Impressive.

I’m not sure whether the lyrics are challenged by the song’s construction or the writer’s grasp of the English language. Comprehension always seems to be one or two syllables away and other than what seems to be a challenge I can’t quite grasp what he’s after.

Track Zero point Two – Cheers Theme (full version)

It’s fairly obvious why they never used this version. It goes places psychologically that the short version does not and would have been more appropriate for the movie version like the song Suicide is Painless is for the MASH movie versus the TV show. This is not quite the feel good bar fly version.

This version is also far more garishly produced, including something like a clarinet or possibly an oboe really wound up. I appreciate the fact there is more to this song than just the TV ditty, though my memory will likely be permanently affected by its hearing. The TV show may not be the same again.

Conclusion.

The 80’s were the decade where we all began to come into our own, some of us faster than others. I count myself in the middle of the pack in terms of figuring myself out. And from that decade sprouted the friendships that are the source of this musical co-op, among many other things, and for that there can be no sufficient amount of gratitude. We all have our individual memories of that decade, but it was also the decade where our memories began to converge and thus holds a significant place in our collective experience. We would not be where we are today with those ten years and its music holds a special place in my heart.

BS – hard to compete with Every Breath You Take

SIWHI – on Pac Man’s iPod? Ghostbusters – Ray Parker Jr.

Bring on the shadows.

The King Will Have My Head!

Volume 14: King George (Mighty Tom, November/December, 2006)

when giving an overall grade to each song, I use this rubric: Best song EVER! = 10, Loved it = 9, Liked it = 8, Not bad = 7, Could take it or leave it = 6, Uninspiring / boring = 5, Didn't like it = 4, Hated it = 3, Worst Song EVER! = 2, You're an idiot for putting this on a CD = 1.

Number of new songs to me on this album. King George
1 2 3 4 5 6 7 8 9 10

1. How this song rates on the T-clog scale of likeability. Rocking Chair in Hawaii
1 2 3 4 5 6 7 8 9 10

1. This is a song that has many great parts. I enjoyed some great lines, instruments, and musical components in this song. The appearence of Hawaiian instruments are clear and refreshing. While in Hawaii, why not dabble in the pineapple?

The beginning of the song is very blues like. I don't picture too many New Orlean's blues artists sipping out of a pineapple in a smokey bar. I thought that it was a cool start to the song.

This song paints a relaxing picture in my mind and I can totally see George sitting there next to the river in his rocking chair. My favorite line is when he tells you that "if you love a woman then don't be shy." Man, forget the games, just ask, date, and love. The line is great, but at the same time it is a kick in my pants. It is a kick in the pants because I was shy and missed many girl opportunities while in college. The vail of ignorace is heavy and difficult to remove. Many things really are more simple than we make them out to be. George knows a lot, and one could learn a lot from listening to his music.

2. How this song rates on the T-clog scale of likeability. Skiing
1 2 3 4 5 6 7 8 9 10

2. Kick ass jam! Love the guitar!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I totaly dig this tune in it's entirety, but I don't know how much sitar I could listen to before I stop listening. I know that the Beatles had been influenced by their visits to India and they have done a number of songs that have the sitar in them, but it is generally a music appreciation that I have not yet developed. The Indian influence might have been more impacted upon George and John, but I am not certain. Once again, frickin' LOVE this song!

3. How this song rates on the T-clog scale of likeability. How to Know God
1 2 3 4 5 6 7 8 9 10

3. Very relaxing bongos(?) being played in the background. The English accent is always nice and calming when the person speaking it is not killing you. I appreciate the wise words of that inwhich she speaks. What's on pages 129 and 131?

4. How this song rates on the T-clog scale of likeability. Wah-Wah
1 2 3 4 5 6 7 8 9 10

4. This song rocks much more than some of the others on this collection. The tempo is stronger and it fits in well with the Wah-Wahs as they are stretched out. I find it to be an interesting component. The drums are soft, but they are noticable. I would like to hear them beating a bit stronger and louder until the Wah-Wahs. It would give the illusion of throwing a tantrum. Did I hear sheet metal being waved in the background?

I find myself turning this song up loud in the monster truck while driving to work. I must be thinking about kids and their Wah-Wahs. I don't want to hear your Wah-Wahs, but King George can sing it whenever he wants. Good song choice Gibbs!

5. How this song rates on the T-clog scale of likeability. Pisces Fish
1 2 3 4 5 6 7 8 9 10

5. Love this song! "Canadian geese crapping along the bank" is a great and hilarious line. "The chain is wrapped around the crank" and "Mad cows being burned" are also very interesting lines.

I find that the chorus is one of the most captivating components to this song. I can't help but to sing along with ole George. The river runs through my soul too brother. Great pick!

6. How this song rates on the T-clog scale of likeability. Party Seacombe
1 2 3 4 5 6 7 8 9 10

6. Not sold on this pick. I appreciate it, but it really leaves me flat. I keep waiting for good ole George to start singing. There are some good and groovy instruments that stand out. One being the tamborine. I remember the white tamborine that Timedidyankus had vividly. It is a fine and important instrument. In the words of Randy Jackson from American Idol, "It was just alright for me dog."

7. How this song rates on the T-clog scale of likeability. All Things Must Pass
1 2 3 4 5 6 7 8 9 10

7. This is a nice treat to stumble upon. It is a somber and mello song. We all learn, grow, move, and impact the world around us. If we are to do good in this life we have to change. Status quo is unacceptible. All things do pass, and if we think about it hard enough, we know that it is truly for the better. Our friendships have been able to adapt and remain great because we all understand this simple truth.

I like the gentle beat and the rather slow tempo of this song. I notice a fabulous old electric slide at about the 2:10 mark. A very Every Which Way But Loose sound dancing it's way across the air waves. Love IT! I hear it again at about the 3:26 mark. "Right turn Clide!"

8. How this song rates on the T-clog scale of likeability. George on Ringo
1 2 3 4 5 6 7 8 9 10

8. What a great interview pulled out from his ass. This is flippin' hilarous. "Why shouldn't the Ringo do it?" What the hell is that? Funny and brilliant addition MT. Country and western tune??????? I would buy any country and western album that George would cut. I really dig the record scratch attempt at the ending too.

9. How this song rates on the T-clog scale of likeability. When We Was Fab
1 2 3 4 5 6 7 8 9 10

9. Great song! This is the only song that I heard before this album was sent out. I have always liked it and I still do. It is a wonderful pop tune that just gives the listener pure pleasure. I think that it is one of his most popular tunes and it did alright as I recall here in the US.

"Long time ago when we was fab" rings out to me. I cherish the thought of being fab. I strive to be fab to those around me. When I look back at all of the fab times in my life they overflow my mind. They all rush towards me at once. I reach down in the steady stream of fab moments and pull up countless memories. I hope to add many more years to that stream so that it one day becomes an overflowing river of fabness.

10. How this song rates on the T-clog scale of likeability. Between the Devil and the Deep Blue Sea 1 2 3 4 5 6 7 8 9 10

10. The Hawaiian mini guitar (ukala) is wonderful! Initially, I thought that this song would get a 6, but the more I listened to it the more I liked it. At about the 1:36 mark the piano goes wild. Love it man! The lyrics are very good and also very fun. "...I wanna cross you off my list, but when you come knock'in at my door fate seems to give my heart a twist.." Great work George on taking an old ice cream parlor sound and giving it an update.

I want to mention that tubba at the 2:19 mark was a fab addition.

11. How this song rates on the T-clog scale of likeability. On the Bed
1 2 3 4 5 6 7 8 9 10

11. Very nice instrumental song. I dig all of the instruments. Does anyone else think of Crocodile Dundee when they hear this? I know Party Seacombe was not high on my list because it was all instrumental, but this one has a different reaction inside of me. I like it a great deal. It sounds to me to be more aboriginal, earthy, and solid.

12. How this song rates on the T-clog scale of likeability. Isn't it a Pity
1 2 3 4 5 6 7 8 9 10

12. A very slow and gentle song to wrap up the album. I guess that this is like the moonlight at the Black Hawk Rollerdrome. Thanks Gibbs for asking me to go with you on this exciting musical date!

This song really doesn't stand out for me. It is a fine song, but I won't be skipping ahead to hear it. However, it does allow you to reflect back upon the album and to remember the many great picks that this album has to offer. A nice long goodbye was in order.

Great collection of George songs Gibbs!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Sunday, February 18, 2007

Mightytum Yum Yum – Volume 15

Mightytum Yum Yum – Volume 15


What a cover! Bringing Pac Man into the OOs, like the eyes of the ghosts seeing into the future before they are chased down and swallowed. But, couldn’t you just hop over the dividers? “We all thought about nuclear war, girls, science fiction, high school, and MTV.” - Very true. We all were captivated by MTV, and I for one can clearly remember laying in bed in the middle of the living room, the sounds of cooler people partying across the street, immobilized by a body cast, my bed pan emptied and clean and ready to go thanks to mom, my legs itching with deflated balloons hanging out my ankle openings, my towel refreshed and allowing easy access, and my fingers feverishly pushing “8” over and over and over again, filling the green led display of a prize calculator, thinking hard about nuclear war. Why “8”? Eight supplied the maximum amount of nuclear green color to help illuminate my horrors.

“Time to put the calculator away Tom,” the mom would order from the nearby bedroom.

Dang, she must be able to detect the greenish glow he thought, “OK, just a second,” Tom replied, and then muttered, “She’ll be seeing more than a greenish glow once the missiles launch.”

And then I would continue to punch in “8” over and over again. Worried. Very worried. Horrified. Could I be Buck? Can’t I please be Buck? Won’t somebody send me into the future, after the horror? I would occasionally pause; look away from the green, towards the little round window in our door, looking at the bright, pure light of the stars, tears streaming down my face. Why can’t I be Buck?

And as for girls and science fiction, well they were one and the same. Buck had that figured out too.

I was a Pac-Man freak for awhile. My famous Pac-Man Birthday – Pac-Man Single, cake, Atari 2600 game cartridge, T-Shirt, remember the cartoon?

Clever name Cory – “Pac-Man’s iPod” – very nice idea! There is no doubt that music from the Eighties will be forever impressed upon the brains of the CMC club.

Question: Cory, you mentioned that you like to whip out some cardboard and bust out some dance moves, would you be interested in doing that in the nude someday?



1-Cheers Theme Song

A short little theme to a TV show. A TV show that I never got into. The episodes I did watch always seemed funny enough, but it never hooked me deep. I remember being blown away whenever Dan mentioned who wrote and sang the song, Woody, right? Still kind of blows me away. Is it true? I ask for different reasons now than I did back then. Back then I was not fully aware that an actor might sing without being seen singing.

This song reminds me of the Simpson’s episode and it reminds me of Cory. I know Cory has long-loved this song and when I hear it, it reminds me of him. The man loves this song.

Look for further discussion under Song #12.



2-You Make Loving Fun

A fine song. Sounds real good. Tape used at its best. Drums, bass, guitars and of course the vocals. Very nice. I see what you mean about the guitar at 1:25, in fact that whole guitar solo is pretty darn good.

Fleetwood Mac, for me falls into a category of bands including Tom Petty and the Heartbreakers. I like much of their music and in fact have some of their music. I can dig some of their music, but not quite to the point of certain Rolling Stone songs, which is a band right above this tier, and only because SOME Rolling Stone songs I really really love. Mac and Petty are far above the Grateful Dead who are easily 3 or 4 tiers below.

Fleetwood Mac and Tom Petty and the Heartbreakers: fine musicians, some good song writing, some unique characteristics, definitely needed in order to fill the gap between the really great music and the really bad music, does it make them boring, sometimes. Would the world miss them if they were absent from existence, yes.



3-Bette Davis Eyes

Only Cory. Wow! Bette Davis Eyes. You know that Kim Carens is Rod Stewart before his second sex change, right? “Pure as New York Snow” – good line and she really holds onto the eyes…. It is an exotic voice – but mostly makes me think of someone who smokes too much. Is it “all the boys think she’s a spaz”? Not a bad song.

I used to say “he got Benji Davis Eyes.” To protect the innocent I will not go any further. Bette Davis, like Angela Lansbury were HOT HOT HOT in their day – wonder if they ever got into a fight. I definitely remember hearing this song in Waterloo and as it was a hit, remember being somewhat “into it” at the time. I have heard it from time to time, enough to hold on to some of the memories while riding along near Crossroads and Byrnes Park, thinking “yes, this song is great.” The memory continues thanks to Vol. 15 and Cory Levendusky. Interesting info supplied by Cory – I knew nothing about her, in fact I did not even know who sang the song - I seriously thought it was Rene Stewart.

4-99 Luft Balloons

This is an interesting pick. I credit this song for my first headphone stereo experience. Around the holidays in the same room where the body-casted boy lay, I received a lipstick red personal stereo complete with black headphones. I plugged in the phones and tuned into Nena. At about half a minute the stereo effect rocked my world. The adjective that I have long associated with this first listen to stereo was “sparkly.” Wondrous, encompassing, and very personal; it was simultaneously warm and cold, probably due to the very nature of the driving synths. With its syncopated funky guitar and exotic accent, my imagination was sparked. At 1:46 we have the great Captain Kirk mention. My first listen was likely the English version, but the accent was still clearly evident. So on a cold winter night this alien woman was singing intimately across great distances about air balloons and Captain Kirk – wow – for a moment I could forget about nuclear war and abandon myself to Nena’s world.

Thank you for the information Cory. I chose to address the Cold War in my intro; however, I am pretty sure I did not understand the true meaning of the song back then with my lipstick red personal stereo system.

There is a standard of what the 1980s were all about in terms of pop music, it is rather unfortunate that often the most unique are held up as symbols of the 80s music scene– along with “99 Luft Balloons” I am also thinking “Sweet Dreams” – both unique but more than a novelty. Novelty music from the 80s can be quite bad and I know it can be argued that “99 Luft Balloons” is nothing but a novelty, but I think that is only based on the fact that it is a work from another country, a form of Pop Music Racism. Really, Americans cannot accept that there is good pop music from other countries besides England and the US. Now “99 Luft Balloons” may be the only example, but…

On a radio mix tape that I still have, I recorded “99 Luft Balloons” and at the end the local DJ cut in with, “there it goes,” referring to the video and the release of the balloon. At the time I was disappointed, but it is quite funny now and that remark lives on – the famous DJ and his excellent timing and wit.

Speaking of Captain Kirk; it could have just as easily been Buck. In interviews Nena confessed she found Buck irresistible, but Captain Kirk fit in with the flow of the lyrics better, plus Buck had plenty of girls, Kirk had only one lady that he could ever really care about and her name was “Enterprise.” Nena was quick to add that Kirk was quite yummy as well.” OK Nena, I think you had better leave it at that.

Do they refer to balloons as “air balloons” in Germany?

Let them Fly Nena, Let them Fly.

And always, Fleugen Flein.



5-Walk of Life

You mentioned Mixdorf. And I will mention Mixdorf. “Brothers in Arms” was an album that Mixdorf, in his own way, would promote, and for good reason – good stuff. Dr Mark Freuder Knopfler is a fantastic guitarist. Beautiful songs such as “Why Worry” and the song from “The Princess Bride” – beautiful – really nice. I have “Why Worry” on my “Green Peace” compilation and the PB song from the DVD – I do not often use this word, but the guitar playing is “gorgeous.” Mixdorf had the tape, with that shiny silver guitar on the cover – did you buy it at Target in Waterloo, and was I present? I do not want to say too much about the band or Mark as I am much more interested in reading what Mixdorf has to say about the subject.

Great beginning and build up, a classic beginning to a very good song. Very Rock’n’Roll, allusions to oldies, Johnnies, heroes, finding your own way. The musical structures themselves, more complex perhaps, but very rooted in good ole Rock’n’Roll.

1:12, 1:57, 2:52 “the boy can play” – I have wondered, if on some level, Mark is asking the world to notice. Many of his songs have lines about “playing guitar.” The Knop CAN play, no doubt, but only his peers really know it – the people do not necessarily know it, except for “I want my MTV, which is associated with Sting anyway. Not a huge deal, he is great, if never attaining Pop Star Status as a guitarist. I just wonder if underneath it all (No Doubt) Mark wanted a little more than validation by his peers.


6-Magic

Love the spooky beginning and the song as a whole. Summer love spells at work.
“I see you under the midnight,” nice evidence of Ric’s fangless Vampire, exiled by the Goths, and embraced by the middle-class.

Mechanical Pop – interesting tag, makes sense. The songs have very clean arrangements, many hooks, and often are extremely catchy. I always thought it odd, their song “Drive,” an obvious, literal connection to Cars, but the one song that was the most un-Cars like. Anyway, I owned the Cars greatest hits and had “Hello Again” taped from the radio – anybody else remember that video – that cleavage. Hughes liked “Shake it Up” and so I thought the hardcore party good at basketball crowd really dug Ric, which IS EXTREMELY IMPORTANT!

It is possible that the song had something to do with us naming our dog, but I am not sure. I remember loving the video too – Ric walking on water, dressed in black, that hair, the Adam’s apple, the shades – reminds me of Summer stuff for several reasons – some obvious, some not so, some nutso.

You are most welcome for any musical memories; I do remember listening to that song down in Elliot. Great song!

7-Small Town

I appreciate you sharing your experiences of family in small towns. I LOVE your “instant aid” comment – hilarious! The best of both worlds is elusive. John was a classic presence on MTV and the radio. There were songs that I liked and songs that I didn’t like. Around 2000 or 2001 I “acknowledged” John and confessed that I did in fact like him and actually LOVED some of his songs. He wasn’t as up there with Prince, U2, or Peter Gabriel, but I really did love many of his songs. I have one album and will likely purchase a compilation at some point, or at least gather about those songs I really dig. In ’95 the tree climbing Tupa referred to “that fuckin’ beat” as he tapped some ciggy ash into a yellow McDonald’s wrapper. The song blaring out of the dash in a truck with six wheels, interestingly, “Magic” was also cranked. I was there with my cooler full of red pepper slices and a corn-cob pipe with tobacco spilling out all over in a lame attempt at fitting in. The smell and sound is very memorable.

“Small Town” is not necessarily my favorite John song, but I do like it, I used to hate it. “I cannot forget the people who love me,” part of that excellent bridge around a minute and a half. Dan and I often would comment on the chord structures used by Mellencamp, D-A-E, or slight variations – I do not know if a pop artist has been more successful. He isn’t bashful about using them, part of his greatness. There’s the guitar – solid, recognizable and let me give the Tupa some credit – Mellencamp’s drum arrangements are really really solid with a strong driving beat. Mellencamp’s words are fairly simple but they usually incorporate a deceptively clever twist which I think is lost on most listeners. He is exciting and passionate and like other greats from the time period, did it his way, from the ground up.

“People let me be just what I wanna be” – interesting line that is a bit loaded. I will return to this with another Buck comparison, but later. For now, in what way do “people LET you be?” And that will be OK if you are a certain type of person, but much of being let alone depends on the persons handling of the perception of the others letting you be. Letting you be hungry, poor, ill? Are there limits imposed on what you can aspire to be?

Not to pick on Mellencamp, (because he only uses it for a tiny portion of the song) but there is a harmonica thing that I have never liked and it happens here, in this song at 2:47. Any acoustic arrangement in any size town in any part of the country you will here these trios of notes. I believe it is a cop out, a simple thing to do, and for some harmonica players – the only thing they know how to do. I do not know if Mellencamp did this intentionally to highlight what he thought was a small town musical device – maybe, in which case it was effective, but it is a musical pet peeve of mine

Good to hear Mellencamp in the CMC. When you put all the pieces together you come up with quite a little bundle of greatness. The act of listening to Mellencamp is enjoyable – I say that because when you read the words on paper or think about him as a vocalist or visualize the man dancing – ok – but the sum of his parts….often excellent.





8-Every Breath You Take

I think, with “Every Breath You Take” and Mixdorf’s Police compilation that all of the Police albums have been represented by CMC. And why not - Great band and great songs, including EBYT. Congratulations then, to The Police, and did you guys know – they are getting back together for a tour, not sure if they’ll be recording or not.

This song has been played many many times. Sting once said he was sick of it. You can hear remakes of it, samples, and on multiple radio stations offering a diverse range of formats. The song is popular, possibly the most popular song on this compilation. One reason, despite all the play, it really is a great song. I LOVE Every Breath You Take. The drums are excellent, and Andy’s guitar seems to be the culmination of his style – excellent excellent guitar complete with squeaks and squawks, Sting’s bass perfect and underrated (especially live) and a great Sting vocal. The synthy orchestra arrangement is a nice touch as well as the use of other keyboard elements.

“How my poor heart aches” is my favorite line both in terms of delivery and the words themselves. Great bridge, lyrics and the pling plings leading into the transition at 1:44 is masterful – wonderful song. I’ve gotten sprinkles from this one. The 3:56 "I’ll Be Watching You” is especially nice – very Stingy (ooh isn’t that funny).

Great great song – all elements working really well together. I thought the video for the song was quite nice – possibly informing future U2 videos. I think I must have been listening to Every Breath You Take – The Singles and Sting’s Nothing Like the Sun quite a bit, maybe eighth grade, while reading The Lord of the Rings – Sting’s voice always takes me back to our living room on Easton, comforting and terribly exciting.



9-Against the Wind

I am really glad that this song has a positive affect on you and the life that you have had so far and I appreciate you sharing.

That said, I am not a fan of this song or Bob Seager. I know that many real men like Seager, but I have never been a real man. Too many clichés. Too much cheese. He can ride his Night Trains Against The Wind only so many times. At 2:26 though, it is funny, “A little something against the wind” like he farted or something. Hee Hee. Sorry dude, just not into this one.




10-I Won’t Back Down

Great song. This album made quite a splash in college. I can remember listening to it with Mixdorf on that famous CD player of his – he had the CD and I made a copy onto tape.

“I Won’t Back Down” is a great idea – stand your ground, believe in yourself and your abilities – all good stuff.

Buck epitomized these sentiments. If he felt it better to operate the ships manually then he would disengage the auto-pilot no matter what the directive was. And you know what – he saved lives, he didn’t back down. Buck believed in himself, had a spine, and did what he felt was right.

11-Take On Me

This guy had to be a heartthrob in the Netherlands, which is north of Belgium and west of Germany with a huge border on the North Sea and is indeed part of Europe. Wonder if he ever broke it in the movie or soap opera business. I like the song and the associated video.

One of my favorite Cory lines, from his comments : “Early MTV was good programming.” Great!

And speaking of Great Programming…Buck Rogers, astronaut from this very era – 1987, blasted into the 25th century to mingle with Col. Wilma Deering. We all know how good looking Gil Gerard and Erin Gray are – VERY VERY SMOKING!! But there was also Pamela Hensley who played Princess Ardala, (by the way I love the way Dan talks about the Princess, something about the way he pronounces Ardala) -there are scenes that even today, will take your breath away. She was unbelievable! And tan!

To go back to what Cory mentioned, The 80's is a time when we all thought about nuclear war, girls, science fiction” – well that’s Buck. He left us in High School in the 80s, went to the future after the nuclear that we feared had actually happened, to hang out with beautiful women – that is science fiction in a nutshell.

12-Cheers Theme Song (Extended Version)

Classic piano opening.

What is that weird sound at two seconds?

I like this version of the song better than the version presented as number one, an edit for the show. The extended version seems to be a more fully developed song. Woody again? Alarming horn towards the end and a very abrupt ending. I like the line, “Mr. Coffee’s dead” a nice touch – as if Mr. Coffee WAS one of the people that he hung out with or knew his name. Ultimately very sad – your life having to revolve around the people that know you at a bar, in a bar scene. I know there is probably more to it than that and for some, circumstances may necessitate such an existence in order to have human contact, but sad nonetheless.


Lessons from William Buck Rogers

Buck was unique and loved for being simply himself, a benefit of being propelled out of time, a variation of the Crocodile Dundee Syndrome. If I find that prize calculator, I will bury it, forever. Buck was found both amusing and talented by his future peers- but he was always himself. What was he like in the 80s? Was the space accident the greatest thing to happen to him?

Thanks Cory for Vol. 15 and the trip down memory corridor!!


BS: Every Breath You Take

SIWHI: “Suspension” sung by Kip Lennon written by Larson/Phillips. Not sung very well, but sweeping emotional effect. Look for it in your e-mail accounts.

"The Shadows" are coming.

Probably by Wednesday.

Sunday, February 04, 2007

Stephen's "King George" comments.

A lot of people my age looked to their parents to bridge into the Beatles catalog. If you are 35 or younger, you can have no memories of the Beatles, just a collective cultural education of them, their relevance to their times. And if you're lucky, nobody crammed the relevance of the Beatles down your throat, and you could discover them. If that happened, then the Beatles became your music. After all, the music didn't die. The recordings, whether on vinyl, tape, or AM or FM, were always there, as they were in the beginning, and forever shall be. Liberating, in our case, as the history of the times need not saddle all those songs down.

In my case, it wasn't my parents who introduced me to GH It was my sister's boyfriend at the time. He had a double-cassette box of The White Album. And really, all he did was leave it on the tape deck in the living room. Doing one of my multi-hour sessions of listening to random tape and vinyl, I played through tape one several times. Then tape two. A rarely have music epiphanies, and... well, I didn't have one then, either. It was only when I played the tapes at night when "While My Guitar Gently Weeps" (and, for what it's worth, "Rocky Racoon" and other WA staples) sunk in. The whole White Album plays best at night.

Anyway, the songs continued to survive, the Beatles were forever canonized, and the members went on. George made All Things Must Pass, which I do associate with my mom, who loved the triple-vinyl. I went on to hear George on the radio for years, then "Cloud Nine" came out in 1987. Then the Traveling Wilburys. By that time, I was eschewing "old farts" for the trappings of college pop. (Well, sorta. I wound up getting a Van Morrison bug in 1990, but I'd all but forgotten about TW Vol. 1, which I bought a mere six months and a lifetime before). Morrison often sings out the same complaints VM does: the music business is full of shit, and I'm just a humble carpenter. Nice work, could I get it? Call it Garth Brooks-level bullshittery; Brooks once stated that all his ('90s) fame allowed him to cash his checks more easily at the local grocery store. Oh, I bet it did. Sometimes I think all famous recording artists are sort of dicks. Like me. Save for nazi sympathizers and perpetrators of violent crime, it usually comes out in the wash. Sometimes.

1. Rocking Chair in Hawaii.
Right off, I'm sensitive about the Electric Light Orchestra. That is, the Jeff Lynne influence. I assume Tom Petty wanted to sound that way after TW in the 1990s, when he learned to fly and all that, and I also assume George was a-okay with it, as well. Perhaps I'm just hearing that production value. I can't say I liked that "new", tweaked up, buffed-down sound. The image TM connects here is very fitting. Knowing George died before this was relesaed, knowing he was dying while he was recording this.. that's makes what sounds like a quiet, unoffensive track like this a little more poignant, I suppose. Poignant is a way overused term, but I'll use it here, just this once.

2. Ski-ing.
Ahhhhh, here we are. Can't get any more pre-Lynne than this! My favorite George Harrison guitar work is right fromt this era, and some of it is right here. I bet...heck, I'd like to think if George had more influence as a Beatle, this would have been side 2, Track 1 on Sgt. Peppers. Or extended to 20 minutes for album three on the White Album. I suppose no living soul will ever be able to divorce this song from the iconography of the time. Not a revelatory track, nor was it meant to be, I suspect.

3. How to Know God.
And we're flying through. Kind of like falling asleep during the recording of track 3 here and waking up in 2001. Maybe 3 could cross-fade into 4. Keeping with the sensibilities of the artist, who did not have the answers but still searches, three decades on. Of course, I'm assuming that Harrison is sincere about that. The line" How to know God, page 130" could be a comment from a syncophant following dilligently, or someone selling the concept. Maybe at 40 secods, we would have known the answer.

4. Wah-Wah.
I, too, hear this one as something of an extended jam, and I love it when the horns show up, and then the horns come around and interplay with George's guitar. If in fact the lyrics are a dig at McCartney, then I can be okay with that, because otherwise I could really have just erased them all out. It's just a sentiment the song's loud, driving guitar and horns already make blaringly clear.

5. Pisces Fish.
Gotta scrape out the memories of the Crash Test Dummies doing some similar mmm-mmming in their one song that was on the radio that one time. Mmmming is just a tricky thing to do, I think. I didn't care for that song but I do like this one, even if I have some of the same reaction PM has to the use of the word "crap". But, is there any other way to get that image out there? "Crap" is unfairly maligned as a verb (or noun, for that matter) in our culture. I say, if we're going to infuse a little Gaia philosophy in a song that probes one's mortality, then crap is a fact. Have we time to sort all of these things out? Indeed, good question.

Some times my life it seems like fictionSome of the days it's really quite serene
I'm a living proof of all life's contradictionsOne half's going where the other half's just been

So maybe that's just crap, but I refuse to think it's just a throway lyric.

6. Party Seacombe.
So much like "Magical Mystery Tour" it could have been a leftover from that time. Or bits and pieces that George took to the studio and topped with some new guitar or something. So if we can get "Love" and have it be the new Beatles album, maybe this just demonstrates the futzing was always happening. Apparently these sessions included Eric Clapton and Peter Tork (at least, so says IMDb). I like it, but it does sound like something that accompanies an image. I do actually think it's a bit eerie, with that organ, which sounds like an empty children's park in the rain.

7. All Things Must Pass.
So far, the CMC mixes I've heard have at least one song I go back to when I'm done, or look ahead to when I'm playing the disc through. This is that song for me here. And while the message is a simple one, it's the way the music comes together, not in resigned acceptance, but in hope. Maybe it's that skippy guitar (steel guitar, I think), or the declaritive horns (gotta love the horns again). Love it.

8. George on Ringo.

Chit-chat gone trippo. Enough said.

9. When We Was Fab.
Given its airplay and MTV rotation from 1987, this is absolutely the song with which I'm most acquainted. I don't know why the chorus sends a chill through me, but after twenty years, it still does. Maybe it's the obvious, the imagery of the Beatles and the time and all of that. And how it's all over, baby blue. Agreed, whistful, but not sad. The music does the evoking. Dan: I guess the question is, do many people remember "Captain of her Heart"? I guess so. I heard it in Muzak form the other day.

10. Between the Devil and the Deep Blue Sea.
She's just stalking you, George! Don't make light of it! Just kidding. Yes, I find this a light song about big things. I hope things worked out okay.

11. On the Bed.
With a title like that, what images come to mind? I like this, particularly in the context of the other instrumentals from way, way back. Dan really loved this one, which encouraged me to go back and listen to it more closely. Looking at my original notes, I said something like GH being commissioned by the BBC to write the music for the evening news. Or something snarky like that. I heard the horn but not the buildup. Still, I'm less into it that the group, perhaps.

12. Isn’t it a Pity.Along with "All Things Must Pass", the other track here that I love the most. Maybe it's that simple acknowledgement of humanity. Ugly, flawed, beautiful people we tend to be. And again, the music does the work. Hey Jude, you had such a nice extended flow, we'll borrow it.

Favorite: All Things Must Pass Away.
Song I wish were here: Hell, I love "What is Love" so much. But it's hardly a "deep cut".